Programme
THURSDAY 13.10.2022
12.45-13.45 City excursion (starting point Hotel SOHO lobby)
14.00-15.30
I National vs International (Ülikooli 16, room 212)
Chair Luule Epner:
Steve Wilmer?
Ulla Kallenbach Transgressing Borders: Practices of Mobility and Cultural Exchange at The Royal Danish Theatre
Lauma Mellēna-Bartkeviča Opera Film “Baņuta” – Example of Transgression and Performativity
Madli Pesti The Reception of Transgressive Performances. The Case of NO99
II Political Activism and Protests (Ülikooli 16, room 214)
Chair Jaak Tomberg
Riina Oruaas Intolerable Images: Women’s Protest Against Sexual Violence in Ukraine War
Sigríður Lára Sigurjónsdóttir Where Are We And What Does It Mean?
Ana Falcon How a Performance Led to a Latnix Community Organisation in Estonia
15.30-16.00 Coffee break
16.00-17.30 OPENING. I KEYNOTE: Ene-Liis Semper Untitled (Ülikooli 16, room 212)
19.00 – performance of Stereo in the Tartu New Theatre (Lai 37)
FRIDAY 14.10.2022
9.00-10.30
III Political Negotiations (Ülikooli 16, room 212)
Chair Eva-Liisa Linder
Pirkko Koski When the Real Contextual World Pushes Itself into the Centre of Fiction
Hanna Korsberg Performing Dirty Hands at the Finnish National Theatre in 1948
Luule Epner Transgressive Collaborations: The Case of Von Krahl Theatre
10.30-11.00 Coffee break
11.00-13.00 II KEYNOTE: Ida Müller and Vegard Vinge Untitled 2 (Ülikooli 18, room 139)
Chair Prof Jon Refsdal
13.00-14.00 LUNCH BREAK
14.00-15.30
IV Agency and Strategies of Transgression (Ülikooli 16, room 214)
Chair Ulla Kallenbach
Zane Kreicberga Performance that Disappeared: Two Case Studies of Alternative Aesthetics in the Recent Latvian Theatre History
Tiit Ojasoo Who Can Cross the Border?
Anneli Saro Transgression of Gaze in Performing Arts
V Liminality of Performance (Ülikooli 16, room 212)
Chair Katri Tanskanen
Janne Risum A Transgression Nobody (But Later Anybody?) Wanted: Walter Benjamin’s “Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit”
Kitija Balcare Theatre Beyond the Human. Interspecies Relations in Ecotheatre in Latvia
Anne-Liis Maripuu Immortality and Theatre Dance in the 1920s. Dance Performance of Elmerice Parts and Herman Kolt-Oginsky
15.30-16.00 Coffee break
16.00-17.30
VI Theatre and Pedagogy (Ülikooli 16, room 214)
Chair Zane Kreicberga
Sanni Lindroos “What Theatre Can and Cannot Be”: The Theatre of God’s Transgressive Oulu Act as a Social Drama
Jüri Nael Transformative Learning Through Transgressive Performer Training Pedagogy in the Context of Higher Education
Victor Polyakoff The Theory of Verbal Action/Influence as One of the Tools of Transgression of Boundaries Between Theatre/Performance and Everyday Life
VII Dramaturgy and Adaptations (Ülikooli 16, room 212)
Chair Riina Oruaas
Liina Lukas Transgression in the Work of Jakob Michael Reinhold Lenz
Katri Tanskanen Hamlet on a Hook. Adaption as a Transgressive Force in Cultural Reproduction
18.00-22.00 Reception in Pepe’s (Ülikooli 7)
SATURDAY 15.10.2022
10.00-11.30
VIII Taboos and Violence (Ülikooli 16, room 212)
Chair Sigríður Lára Sigurjónsdóttir
Monika Jašinskaitė The Notion of Suicide in Lithuanian Theatre
Hedi-Liis Toome How theatre mirrors reality: some critical aspects of the representation of women in mainstream performances
IX Transgressive Forms of Performance (Ülikooli 16, room 214)
Chair Kristel Pappel
Ildikó Sirato Performing Speaking and Singing Bodies. The Physical Theatre as a Concept, a Phenomenon and Practice of Contemporary (?) Transgression of Genre Borders
Jaak Tomberg Desubjectivation as Transformation. On Bodily Present in Karl Saks’ “Planet Alexithymia”
Karin Allik The Transformative Power of Transgression in Juhan Ulfsak’s Work as a Director
11.30-12.00 Coffee break
12.00-13.30
X Invisible Minorities (Ülikooli 16, room 212)
Chair Pirkko Koski
Eva-Liisa Linder Outsiders or Innovators? The Untold Story of Queer Theatre in Estonia
Stephen Elliot Wilmer Transgressive Performances: Refugees Demanding the Right to Have Rights
Daria Skjoldager-Nielsen Polishing Reykjavik: Immigrant Language on the City Theatre Stage
XI Transgressions in Opera and Sound Art (Ülikooli 16, room 214)
Chair Lauma Mellēna-Bartkeviča
Justina Paltanavičiūtė The Performativity of Socially Vulnerable Groups in the Opera Genre: A Case Study of the Opera “Have a Good Day!”
Kristel Pappel Law and Order in Estonian Musical Theatre
Karl Saks Sound Art and Performativity in Johhan Rosenberg “traps”
13.30-14.45 LUNCH BREAK
14.45-15.30 Concluding Discussion of the Conference
15.45-17.00 Roundtable Discussion on Membership Issues of the ANTS
19.00 opera Don Giovanni in Vanemuine (Vanemuise 6)