{"id":220,"date":"2024-06-19T11:06:58","date_gmt":"2024-06-19T08:06:58","guid":{"rendered":"https:\/\/sisu.ut.ee\/parandusfestival2024\/speakers\/"},"modified":"2024-09-26T15:20:54","modified_gmt":"2024-09-26T12:20:54","slug":"speakers","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/parandusfestival2024\/speakers\/?lang=en","title":{"rendered":"Speakers"},"content":{"rendered":"

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The conference keynote speaker is award-winning BBC documentary filmmaker and author of bestseller \u201cCr\u00e6ft\u201d<\/em> (2018), Associate Professor Alex Langlands <\/strong>from Swansea University (UK).

In his keynote speech \u201cPutting the making in place-making: Resilient communities and heritage in an age of austerity\u201d<\/strong><\/em>, Langlands discusses how both tangible and intangible heritage can offer communities resilience and forward-looking solutions to navigate the waves of polycrises affecting the world. 
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The conference keynote speaker Harriet Deacon<\/strong> is a researcher at the Treatied Spaces Research Group and Lecturer in AI Ethics at the Centre of Excellence for Data Science, Artificial Intelligence and Modelling, University of Hull (UK).

Deacon\u2019s presentation\u201cIntangible heritage and the market: making it work for communities\u201d<\/strong><\/em>, <\/strong>will draw on a review produced for UNESCO in 2023, presenting concepts and planning approaches that can be adapted to assist communities in public heritage policy.<\/p>\n<\/div><\/div>\n\n\n\n
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All speakers:<\/strong><\/p>\n\n\n\n
Aivar Ruukel (Estonia)<\/strong> \u201cDugout boat heritage and place identity: case of Soomaa national park\u201d <\/em><\/p>\n\n\n\n
Anete Karlsone (Latvia)<\/strong> \u201cMeet your Craftsman!\u201d<\/em><\/p>\n\n\n\n
Angie Butler (UK) and Imi Maufe (Norway)<\/strong> \u201cConnecting and Developing Printing Heritage: the Nordic Letterpress Network\u201d<\/em><\/p>\n\n\n\n
Anni J\u00e4rvel\u00e4 (Finland)<\/strong> \u201cN\u00e4pp\u00e4rit \u2013 together in tradition and music\u201d<\/em><\/p>\n\n\n\n
Azeem Hamid (Pakistan)<\/strong> \u201cParticipation in public spaces of Tallinn\u201d<\/em><\/p>\n\n\n\n
Ave Matsin (Estonia)<\/strong> \u201cProfessional craft education and its impact on the example of a study of the professional employment of Estonian vocational and higher education craft curriculum graduates\u201d<\/em><\/p>\n\n\n\n
Ave Paulus (Estonia) ja Arnstein Brekke (Norway)<\/strong> \u201cThe Protection of Vernacular Heritage of North Europe \u2013 Authenticity and the Role of Heritage Communities\u201d<\/em><\/p>\n\n\n\n
Danila Rygovskiy (Estonia)<\/strong> \u201cEstonian printing heritage: revival of hot metal typesetting skills (linotype & monotype)\u201d<\/em><\/p>\n\n\n\n
Eilve Manglus (Estonia)<\/strong> \u201cCareer turnaround and lifelong learning. Why should anyone start studying native metalwork at the age of over 35?\u201d<\/em><\/p>\n\n\n\n
El\u012bna Vikmane (Latvia)<\/strong> \u201cParticipatory engagement of youth in museums and its research with participatory methods and techniques\u201d<\/em><\/p>\n\n\n\n
Francis Ndagiyisa Sokomba (Nigeria)<\/strong> \u201cCultural Heritage and Identity\u201d<\/em><\/p>\n\n\n\n
Garri Raagmaa (Estonia)<\/strong> \u201cManors as Rural Development Drivers\u201d<\/em><\/p>\n\n\n\n
Giuseppe Biagini (USA) <\/strong>\u201cThe Future\u2026 is under your feet\u201d<\/em><\/p>\n\n\n\n
Ishara Wijemanne, Niina V\u00e4\u00e4n\u00e4nen and Sirpa Kokko (Finland)<\/strong> \u201cDumbara Weaving, a cultural heritage and an identity\u201d<\/em><\/p>\n\n\n\n
Jan L\u00fctjohann (Finland)<\/strong> \u201cCommon heritage for busy people from all over the place: an evaluation of mobile accessible wood-carving workshops\u201d<\/em><\/p>\n\n\n\n
Jawida Mansour (Palestine\/Qatar)<\/strong> \u201cThe search for community\u2019s socio-economic development and summud through traditional embroideries in Palestine\u201d<\/em><\/p>\n\n\n\n
Johanna Bj\u00f6rkholm (Finland)<\/strong> \u201cRegional capacity building and safeguarding of ICH\u201d<\/em><\/p>\n\n\n\n
Jorma Sarv (Estonia)<\/strong> \u201cExperiencing the nature of museum and library environments. Gateway to excitement or escape to silence?\u201d<\/em><\/p>\n\n\n\n
Kennedy Kariseb (Namibia)<\/strong> \u201cThe conservation, preservation and management of heritage objects and places in Namibia: Challenges and opportunities\u201d<\/em><\/p>\n\n\n\n
Kurmo Konsa (Estonia)<\/strong> \u201cHow to create a culture that is suitable for sustainable living: a conceptual framework\u201d<\/em><\/p>\n\n\n\n
Laura Brut\u0101ne and Lote Katr\u012bna C\u0113rpa (Latvia)<\/strong> \u201cMindful Museums: Nurturing Mental Health Through Cultural Participation\u201d<\/em><\/p>\n\n\n\n
Linda Rubena (Latvia)<\/strong> \u201cHeritage as a basis and source of inspiration for creative works in the younger generation\u201d<\/em><\/p>\n\n\n\n
Lisanna Schmidt-Bure\u0161 (Estonia)<\/strong> \u201cNatural colours as part of environmental sustainability in fashion \u2013 Conserving biodiversity through an art project and dyeing with plants.\u201d<\/em><\/p>\n\n\n\n
Madis Rennu and Andres R\u00f5igas (Estonia)<\/strong> \u201cFieldwork notes through the eyes of a craftsman: economic interests, local and cultural cooperation in the intentional communities of southern Estonia.\u201d<\/em><\/p>\n\n\n\n
Madis Vasser, Maria Muuk and Tambet Muide (Estonia)<\/strong> \u201cTerra Low-Tech Theme Park\u201d<\/em><\/p>\n\n\n\n
M\u0101ra Urdzi\u0146a-Deruma and Lolita \u0160elvaha (Latvia)<\/strong> \u201cTrends in Teaching Traditional Culture in Design and Technology in Latvia\u201d<\/em><\/p>\n\n\n\n
Marius F Johannes (Namibia)<\/strong> \u201cEchoes of Freedom: Reviving Namibia\u2019s Cultural Heritage Through the Transformative Power of Prison Arts and Crafts\u201d A Narrative Story of Incarceration, Legacy, And Transformative DT<\/em>\u201c<\/p>\n\n\n\n
Marju K\u00f5ivupuu (Estonia)<\/strong> \u201cWhat are we talking about when we talk about heritage?\u201d<\/em><\/p>\n\n\n\n
Markus Pau (Estonia)<\/strong> \u201cSynthesis between heritage and innovation: internal insulation of historic fieldstone walls with hemp-lime\u201d<\/em><\/p>\n\n\n\n
Martti Veldi (Estonia), Mia \u00c5kerfelt (Finland), Tzafrir Fainholtz (Israel) and Anna Wilczy\u0144ska (Poland)<\/strong>  \u201cFinnish prefabricated wooden houses in Poland, Israel and Estonia \u2013 from temporary housing to heritage values, how are local communities involved?\u201d<\/em><\/p>\n\n\n\n
Mar\u2019yana Svarnyk (Estonia) <\/strong>\u201cThe Resilience of a Tradition in the Craft of Ukrainian Easter Eggs (Pysanky)\u201d<\/em><\/p>\n\n\n\n
Niina V\u00e4\u00e4n\u00e4nen, P\u00e4ivi Fernstr\u00f6m, Kaisa Hyrsky, Hanna Kettunen and Sirpa Kokko (Finland)<\/strong> \u201cCrafting identities\u201d<\/em><\/p>\n\n\n\n
Riina Rammo (Estonia)<\/strong> \u201cRed dyestuffs in ancient textile technology\u201d<\/em><\/p>\n\n\n\n
Rosa Johnson (Namibia)<\/strong>  \u201cNamibia the jewel of culture and heritage\u201d<\/em><\/p>\n\n\n\n
Tara Poole (Australia)<\/strong> \u201cDetermining a new value for creative capital\u201d<\/em><\/p>\n\n\n\n
Tenno Teidearu (Estonia)<\/strong> \u201cRepair as Heritage and Sustainable Consumption Practice\u201d<\/em><\/p>\n\n\n\n
Tiina Kull (Estonia)<\/strong> \u201cWoven Gifts: The Tale of Estonian Skirts and English Wool\u201d<\/em><\/p>\n\n\n\n
Witiya Pittungnapoo (Thailand)<\/strong> \u201cWater-based Architecture and Cultural Landscape as Living Heritage of the Yom River in Thailand.\u201d<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"
The conference keynote speaker is award-winning BBC documentary filmmaker and author of bestseller \u201cCr\u00e6ft\u201d (2018), Associate Professor Alex Langlands from Swansea University (UK). In his keynote speech \u201cPutting the making in place-making: Resilient communities and heritage in an age of …<\/p>\n","protected":false},"author":342,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-220","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/pages\/220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/users\/342"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/comments?post=220"}],"version-history":[{"count":14,"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/pages\/220\/revisions"}],"predecessor-version":[{"id":1029,"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/pages\/220\/revisions\/1029"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/parandusfestival2024\/wp-json\/wp\/v2\/media?parent=220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}