<\/p>\n\n\n\n
Konverentsil esinevad lisaks kahele peaesinejale ettekandega:<\/strong><\/p>\n\n\n\n Aivar Ruukel (Eesti)<\/strong> \u201cDugout boat heritage and place identity: case of Soomaa national park\u201d<\/em><\/p>\n\n\n\n Anete Karlsone (L\u00e4ti) <\/strong>Craft skills in the Latvian National List of Intangible Cultural Heritage and in the event <\/em>\u201cMeet your Craftsman!\u201d<\/em><\/p>\n\n\n\n Angie Butler (UK) ja Imi Maufe (Norra)<\/strong> \u201cConnecting and Developing Printing Heritage: the Nordic Letterpress Network\u201d<\/em><\/p>\n\n\n\n Anni J\u00e4rvel\u00e4 (Soome)<\/strong> \u201cN\u00e4pp\u00e4rit\u00a0 \u2013 together in tradition and music\u201d<\/em><\/p>\n\n\n\n Azeem Hamid (Pakistan)<\/strong> \u201cParticipation in public spaces of Tallinn\u201d<\/em><\/p>\n\n\n\n Ave Matsin (Eesti)<\/strong> \u201cProfessional craft education and its impact on the example of a study of the professional employment of Estonian vocational and higher education craft curriculum graduates\u201d<\/em><\/p>\n\n\n\n Ave Paulus (Eesti) ja Arnstein Brekke (Norra)<\/strong> \u201cThe Protection of Vernacular Heritage of North Europe \u2013 Authenticity and the Role of Heritage Communities\u201d<\/em><\/p>\n\n\n\n Danila Rygovskiy (Eesti)<\/strong> \u201cEstonian printing heritage: revival of hot metal typesetting skills (linotype & monotype)\u201d<\/em><\/p>\n\n\n\n Eilve Manglus (Eesti)<\/strong> \u201cCareer turnaround and lifelong learning. Why should anyone start studying native metalwork at the age of over 35?\u201d<\/em><\/p>\n\n\n\n El\u012bna Vikmane (L\u00e4ti)<\/strong> \u201cParticipatory engagement of youth in museums and its research with participatory methods and techniques\u201d<\/em><\/p>\n\n\n\n Francis Ndagiyisa Sokomba (Nigeeria)<\/strong> \u201cCultural Heritage and Identity\u201d<\/em><\/p>\n\n\n\n Garri Raagmaa (Eesti)<\/strong> \u201cManors as Rural Development Drivers\u201d<\/em><\/p>\n\n\n\n Giuseppe Biagini (USA)<\/strong> \u201cThe Future\u2026 is under your feet\u201d<\/em><\/p>\n\n\n\n Ishara Wijemanne, Niina V\u00e4\u00e4n\u00e4nen ja Sirpa Kokko (Soome)<\/strong> \u201cDumbara Weaving, a cultural heritage and an identity\u201d<\/em><\/p>\n\n\n\n Jan L\u00fctjohann (Soome)<\/strong> \u201cCommon heritage for busy people from all over the place: an evaluation of mobile accessible wood-carving workshops\u201d<\/em><\/p>\n\n\n\n Jawida Mansour (Palestiina\/Katar) <\/strong>\u201cThe search for community\u2019s socio-economic development and summud through traditional embroideries in Palestine\u201d<\/em><\/p>\n\n\n\n Johanna Bj\u00f6rkholm (Soome)<\/strong> \u201cRegional capacity building and safeguarding of ICH\u201d<\/em><\/p>\n\n\n\n Jorma Sarv (Eesti)<\/strong> \u201cExperiencing the nature of museum and library environments. Gateway to excitement or escape to silence?\u201d<\/em><\/p>\n\n\n\n Kennedy Kariseb (Namiibia)<\/strong> \u201cThe conservation, preservation and management of heritage objects and places in Namibia: Challenges and opportunities\u201d<\/em><\/p>\n\n\n\n Kurmo Konsa (Eesti) <\/strong>\u201cHow to create a culture that is suitable for sustainable living: a conceptual framework\u201d<\/em><\/p>\n\n\n\n Laura Brut\u0101ne ja Lote Katr\u012bna C\u0113rpa (L\u00e4ti)<\/strong> \u201cMindful Museums: Nurturing Mental Health Through Cultural Participation\u201d<\/em><\/p>\n\n\n\n Leena Marsio ja Elisa Kraatari (Soome)<\/strong> \u201cLIVIND Pilot Projects \u2013 Living heritage practices illustrating the holistic perspective to sustainability\u201d<\/em><\/p>\n\n\n\n Linda Rubena (L\u00e4ti) <\/strong>\u201cHeritage as a basis and source of inspiration for creative works in the younger generation\u201d<\/em><\/p>\n\n\n\n Lisanna Schmidt-Bure\u0161 (Eesti) <\/strong>\u201cNatural colours as part of environmental sustainability in fashion \u2013 Conserving biodiversity through an art project and dyeing with plants.\u201d<\/em><\/p>\n\n\n\n Madis Rennu ja Andres R\u00f5igas (Eesti)<\/strong> \u201cFieldwork notes through the eyes of a craftsman: economic interests, local and cultural cooperation in the intentional communities of southern Estonia.\u201d<\/em><\/p>\n\n\n\n Madis Vasser, Maria Muuk ja Tambet Muide (Eesti)<\/strong> \u201cTerra Low-Tech Theme Park\u201d<\/em><\/p>\n\n\n\n M\u0101ra Urdzi\u0146a-Deruma ja Lolita \u0160elvaha (L\u00e4ti)<\/strong> \u201cTrends in Teaching Traditional Culture in Design and Technology in Latvia\u201d<\/em><\/p>\n\n\n\n Marius F Johannes (Namiibia) <\/strong>\u201cEchoes of Freedom: Reviving Namibia\u2019s Cultural Heritage Through the Transformative Power of Prison Arts and Crafts\u201d A Narrative Story of Incarceration, Legacy, And Transformative DT<\/em>\u201c<\/p>\n\n\n\n Marju K\u00f5ivupuu (Eesti)<\/strong> \u201cWhat are we talking about when we talk about heritage?\u201d<\/em><\/p>\n\n\n\n Markus Pau (Eesti)<\/strong> \u201cSynthesis between heritage and innovation: internal insulation of historic fieldstone walls with hemp-lime\u201d<\/em><\/p>\n\n\n\n Martti Veldi (Eesti), Mia \u00c5kerfelt (Soome), Tzafrir Fainholtz (Iisrael) ja Anna Wilczy\u0144ska (Poola)<\/strong>\u00a0 \u201cFinnish prefabricated wooden houses in Poland, Israel and Estonia \u2013 from temporary housing to heritage values, how are local communities involved?\u201d<\/em><\/p>\n\n\n\n Mar\u2019yana Svarnyk (Eesti)<\/strong> \u201cThe Resilience of a Tradition in the Craft of Ukrainian Easter Eggs (Pysanky)\u201d<\/em><\/p>\n\n\n\n Niina V\u00e4\u00e4n\u00e4nen, P\u00e4ivi Fernstr\u00f6m, Kaisa Hyrsky, Hanna Kettunen ja Sirpa Kokko (Soome)<\/strong> \u201cCrafting identities\u201d<\/em><\/p>\n\n\n\n Riina Rammo (Eesti)<\/strong> \u201cRed dyestuffs in ancient textile technology\u201d<\/em><\/p>\n\n\n\n Rosa Johnson (Namiibia)<\/strong> \u201cNamibia the jewel of culture and heritage\u201d<\/em><\/p>\n\n\n\n Tara Poole (Austraalia) <\/em><\/strong>\u201cDetermining a new value for creative capital\u201d<\/em><\/p>\n\n\n\n Tenno Teidearu (Eesti)<\/strong> \u201cRepair as Heritage and Sustainable Consumption Practice\u201d<\/em><\/p>\n\n\n\n Tiina Kull (Eesti)<\/strong> \u201cWoven Gifts: The Tale of Estonian Skirts and English Wool\u201d<\/em><\/p>\n\n\n\n Witiya Pittungnapoo (Tai)<\/strong> \u201cWater-based Architecture and Cultural Landscape as Living Heritage of the Yom River in Thailand.\u201d<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Konverentsil esinevad lisaks kahele peaesinejale ettekandega: Aivar Ruukel (Eesti) \u201cDugout boat heritage and place identity: case of Soomaa national park\u201d Anete Karlsone (L\u00e4ti) Craft skills in the Latvian National List of Intangible Cultural Heritage and in the event \u201cMeet your 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