{"id":89,"date":"2024-04-03T23:39:20","date_gmt":"2024-04-03T20:39:20","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/morn\/"},"modified":"2024-04-04T00:11:05","modified_gmt":"2024-04-03T21:11:05","slug":"morn","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/m\/morn\/","title":{"rendered":"Reed Morn"},"content":{"rendered":"<p>\n\t<span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\"><a href=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/reed_morn_valter_lemberg.jpg\" target=\"_self\" rel=\"noopener\"><img decoding=\"async\" alt=\"\" src=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/reed_morn_valter_lemberg.jpg\" style=\"float: right;width: 200px;height: 282px\" title=\"Photo: Valter Lemberg (Tallinn)\"><\/a><\/span><\/span><strong><span style=\"font-size:16px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><a data-url=\"https:\/\/sisu.ut.ee\/ewod\/m\/morn\/about\" href=\"https:\/\/sisu.ut.ee\/ewod\/m\/morn\/about\" title=\"\">About Reed Morn<\/a><\/span><\/span><\/strong><\/p>\n<p><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\">Reed Morn (born Frieda Johanna Drewerk, 19. VIII 1898 \u2013 17. X 1978) was an Estonian prose writer who used her works to paint deep psychological portraits of independent, strong and intellectual people, who were mostly women.<\/span><\/span><\/span><\/p>\n<p>Frieda Drewerk was born to a working-class family and was mostly raised by her mother in relatively poor economic conditions. Despite this, Drewerk could attend good schools in Tallinn and studied from 1916-1918 at Lender Private Gymnasium; in 1918, at Russian Gymnasium and graduated from the Tallinn V Gymnasium for Girls in 1919. Drewerk excelled at school and in 1919, entered the University of Tartu where she studied literary history, philosophy and Romanic philology. She graduated university in 1924 with a master\u2019s degree. In 1921, she began publishing articles on literature. From 1924-1926, she worked as a teacher of Estonian language and literature at Paide Gymnasium; in 1929, taught Latin at Tallinn I Gymnasium for Girls and at Kaarli Private Gymnasium from 1929-1932. After that, she remained a freelancer and occasionally gave private lessons as well.<\/p>\n<p>Drewerk spent the years 1932-1933 in Paris on a scholarship from the French Scientific Institute of Tartu. In 1933, she spent three months in Spain and in 1937, she visited Italy. She also published travelogues in various Estonian publications. In 1944, she fled to Germany. She spent ten months interned in the so-called Czech Hell. From 1946-1952, she lived in Germany and in 1950, for a while also in Sweden. In 1952, she emigrated to New York where she worked either odd jobs, as a typist or was unemployed. In 1957, she relocated to Los Angeles where she retired and lived until her death.<\/p>\n<p>Frieda Drewerk spent her life shying away from the public eye and social interactions, she never joined the Estonian Writers\u2019 Union. When communicating, she preferred writing. She never started a family, lived austerely and in her many volumes of letters, expressed readiness to dedicate her life to creation and intellectual pursuits.<\/p>\n<p>In 1927, her debut novel <em>Andekas parasiit<\/em> (\u2018The Talented Parasite\u2019) was published under the pseudonym Reed Morn. The novel won II place at a novel competition (while competing against August Jakobson, Betti Alver and Mart Raud) and was praised by critics. In Estonian literature, the work was novel in a sense that it depicted the development of an educated, intellectual and individualistic woman who is intimidated by the material and practical side of life. \u2018The Talented Parasite\u2019 is modernist in style and the subject-matter fairly autobiographical. The novel has remained Morn\u2019s most well-known work.<\/p>\n<p>In 1929, her second novel <em>Kastreerit elu<\/em> (\u2018Castrated Life\u2019) was released, which depicts a psychologically similar main character as the one from her first novel, only this time a man. The novel is written in the form of a diary by Andreas Orpus who is in jail after having killed an aggressive hotel owner who was beating his wife. \u2018Castrated Life\u2019 is more realistic compared to her debut novel and its content less pessimistic. The novel was not received as well and did not become as popular as \u2018The Talented Parasite\u2019, yet several critics consider it superior to the debut novel.<\/p>\n<p>In 1929, Morn published in the journal <em>Looming<\/em> her first short story <em>Prints<\/em> (\u2018Prince\u2019), the character of which is also similar to the main characters of her two novels. Morn wrote and published stories later as well, before the war mostly at <em>Looming<\/em>. However, her short story collection <em>Andke keisrile mis keisri ja Jumalale mis Jumala<\/em> (\u2018Render unto Caesar the things that are Caesar\u2019s, and unto God the things that are God\u2019s\u2019) was published as late as 2009 in the series <em>Eesti novellivara<\/em> (\u2018Estonian Short Story Collections\u2019).<\/p>\n<p>After the war, Reed Morn continued writing for the magazine <em>Mana<\/em>, yet many of her short stories and even the novel <em>M\u00e4rgit hing<\/em> (\u2018Marked Soul\u2019) remained unpublished. In 1956, her novel <em>Tee ja t\u00f5de<\/em> (\u2018Path and Truth\u2019) was released. The first draft of the novel was already ready in 1936 and literary scholar Rutt Hinrikus considers it to be Morn\u2019s most important work. The main character of \u2018Path and Truth\u2019 is similar to the one from Morn\u2019s earlier works, but the style of the novel is more colloquial, attitude more optimistic and the tone accepting of one\u2019s life fate, whatever it may be. The novel expresses concern over modern man having forgotten that he is made in the image of God. When Morn\u2019s pre-war work reflects the author\u2019s self-image as a Christian, then \u2018Path and Truth\u2019 expresses a noticeable interest in Buddhism and Indian philosophy.<\/p>\n<p>Frieda Drewerk was also a translator before the war, translating from Russian, Spanish and French, as a result of which, the novel <em>Sappho<\/em> by Alphonse Daudet was published. Both before and after the war, she wrote several articles on the great figures in world culture and literature, including also authors who are relatively unknown in Estonian culture such as Miguel de Unamuno or Rub\u00e9n Dario, a Nicaraguan poet and founder of Spanish-language modernism.<\/p>\n<p><em>S. V. (Translated by A. S.)<\/em><\/p>\n<p>\u00a0\n<\/p>\n<p>\n\t<span style=\"color:#000000\"><span style=\"font-size:16px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><strong>Books in Estonian<\/strong><\/span><\/span><\/span>\n<\/p>\n<p>\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><strong><em>Novels<\/em><\/strong><br><strong>Andekas parasiit<\/strong>. Tartu: Loodus, 1927, 281 lk. [2. tr\u00fckk: Tallinn: Eesti Raamat, 2008, 175 lk.]<br><strong>Kastreerit elu<\/strong>. Tartu: Loodus, 1929, 227 lk.<br>Friida Dreverk, <strong>Tee ja t\u00f5de<\/strong>. Toronto: Orto, 1956, 317 lk. [2. tr\u00fckk: Tallinn: Eesti Raamat, 2002, 295 lk.]<\/span><\/span><\/span>\n<\/p>\n<p>\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><strong><em>Short stories<\/em><\/strong><br><strong>Andke keisrile mis keisri ja Jumalale mis Jumala<\/strong>. Koostanud Maire Liivamets. Tallinn: Eesti Raamat, 2009, 250 lk. [Sari \u2018Eesti novellivara\u2019.]<\/span><\/span><\/span>\n<\/p>\n<p>\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><strong><em>Non-fiction<\/em><\/strong><br>Frieda Drewerk, <strong>Jeanne d\u2019Arc: Prantsusmaa rahvuskangelane<\/strong>. Tartu: Eesti Kirjanduse Selts, 1935, 149 lk.<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>About Reed Morn Reed Morn (born Frieda Johanna Drewerk, 19. VIII 1898 \u2013 17. X 1978) was an Estonian prose writer who used her works to paint deep psychological portraits of independent, strong and intellectual people, who were mostly women. &#8230;<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":642,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-89","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/89\/revisions"}],"predecessor-version":[{"id":4999,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/89\/revisions\/4999"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/642"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}