{"id":860,"date":"2024-04-03T23:40:26","date_gmt":"2024-04-03T20:40:26","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/piik\/"},"modified":"2024-04-04T00:08:52","modified_gmt":"2024-04-03T21:08:52","slug":"piik","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/p\/piik\/","title":{"rendered":"Paavo Piik"},"content":{"rendered":"<p>\n\t\u00a0\n<\/p>\n<p>\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/p\/piik\/poems\"><span style=\"font-family: verdana, geneva;font-size: medium\"><strong>Poems<\/strong><\/span><\/a>\n<\/p>\n<p>\u00a0\n<\/p>\n<p>\n\tPaavo Piik (born 28 December 1983) is a poet, playwright, translator, dramaturge and director.\n<\/p>\n<p>\n\tPiik completed Tallinn English College and graduated from the University of Oxford in the specialities of philosophy, political science and economics and from the Estonian Academy of Music and Theatre as a dramaturge. He has worked as a dramaturge and director at Tallinn City Theatre. Since 2011, he has been dramaturge and director of the theatre troupe Kinoteater. Piik is a member of the Estonian Directors\u2019 and Dramaturgs\u2019 Union (2001). His brother is the producer, director and dramaturge Paul Piik (1986).\n<\/p>\n<p>\n\tPiik is mainly known as a playwright and dramaturge. One of his best-known plays is <em>Keti l\u00f5pp<\/em> (\u2018The End of the Chain\u2019), the action of which rolls out at a fast-food restaurant that is open for the last day and where the paths of estranged and lonely people cross. The restaurant may be seen as a model of the urbanised world. The play won the third place at the playwriting competition of the Estonian Theatre Agency (2011) and the dramaturgy prize at the Baltic theatre festival (2013). The play also served as a basis for a feature film (2017) directed by Priit P\u00e4\u00e4suke.\n<\/p>\n<p>\n\tSeveral Piik\u2019s plays are based on documentary material; for example, <em>Panso<\/em> (2010) is based on the manuscript materials of the famous Estonian director, actor and theatrical teacher Voldemar Panso. The source for <em>Jaanip\u00e4ev<\/em> (\u2018St John\u2019s Day\u2019, 2018), written in cooperation with Mari-Liis Lill, is interviews with Siberian Estonians. The plays <em>Varesele valu\u2026<\/em> and <em>Harakale haigus\u2026<\/em> (\u2018Send the Pain to the Crow\u2019 and \u2018Send the Illness to the Magpie\u2019), also written in cooperation with Mari-Liis Lill, are based on interviews with patients who suffered from depression. These plays received the prize for the best play in the programme of the Baltic Theatre Forum in 2015. Together with Lill, Piik received the Estonian National Cultural Award in 2017 for the play <em>Teisest silmapilgust<\/em> (\u2018At Second Glance\u2019), which deals with the theme of Estonian Russians. In addition to Mari-Liis Lill, Piik has cooperated with Diana Leesalu, dramaturge and director of Tallinn City Theatre, and actor and director Henrik Kalmet. Together with Kalmet, Alissija-Elisabet Jevtjukova, Aivo Rannik, Paul Piik and Marta Pulk, Paavo Piik received the Annual Performing Arts Award of the Cultural Endowment of Estonia for the documentary project <em>Aasta t\u00e4is draamat<\/em> (\u2018A Year Full of Drama\u2019), a film about it was completed in 2019. The project was based on an experiment by Kinoteater where the winner of the so-called theatre ignoramus competition \u2013 namely Alissija-Elisabet Jevtjukova \u2013 viewed all the productions of Estonian professional theatres during a year and shared her impressions. In 2023, Piik\u2019s play <em>\u00dcle oma varju<\/em> (\u2018Over Your Shadow\u2019) received the original Estonian drama award. It concentrates on being someone else and the lies related to this.\n<\/p>\n<p>\n\tSince his first poetry collection <em>Kummuli linnad<\/em> (\u2018Cities Upside Down\u2019, 2006), Piik has stood out for intellectual depiction of present-day timespace, primarily the urban environment, and the troubles of modern times. In the collection <em>Lakoonia<\/em> (\u2018Laconia\u2019, 2008), an essential role belongs to social sensitivity and ironical glance; the depicted space has narrowed, being restricted in <em>Kokkuplahvatus<\/em> (\u2018Implosion\u2019, 2009) mainly to the personal space.\n<\/p>\n<p>\n\tPiik has been the curator of the theatre festival A Midwinter Night\u2019s Dream (2014, 2016), a member of the idea and production team of the Republic of Estonia 103rd anniversary concert production (2021) and scriptwriter and editor of the television broadcasts of Kinoteater. Piik is the many-time Estonian champion in squash.\n<\/p>\n<p>\n\t<em>A. K. (Translated by I. A.)<\/em><\/p>\n<p>\u00a0\n<\/p>\n<p>\n\t<strong><span style=\"font-size:16px\">Books in Estonian<\/span><\/strong>\n<\/p>\n<p>\n\t<strong><em>Poetry collections<\/em><\/strong><br><strong>Kummuli linnad<\/strong>: 23 luuletust. Tallinn: Tuum, 2006, 32 lk<br><strong>Lakoonia<\/strong>. Tallinn: V\u00e4rske R\u00f5hk, 2008, 45 lk<br><strong>Kokkuplahvatus<\/strong>. Randvere: P. Piik, 2009, 46 lk<br><strong>Harakuri<\/strong>. Tallinn: H\u00e4lin ja Raev, 2018, 46 lk\n<\/p>\n<p>\n\t<strong><em>Plays<\/em><\/strong><br><strong>Panso<\/strong>: Voldemar Panso kartoteegikaartide ja tunnikonspektide abil. N\u00e4idendiraamat 12. Tallinn: Eesti Draamateater, 2010, 68 lk<br><strong>Keti l\u00f5pp<\/strong>. Tallinn: Tallinna Linnateater, 2012, 55 lk<br>Paavo Piik, Mari-Liis Lill, <strong>Varesele valu, harakale haigus\u2026: lugusid depressioonist ja tervenemisest<\/strong>. N\u00e4idendiraamat 22. Tallinn: Eesti Draamateater, 2014, 149 lk<br>Paavo Piik, Mari-Liis Lill, <strong>Jaanip\u00e4ev: Siberi k\u00fclades tehtud intervjuude p\u00f5hjal<\/strong>. N\u00e4idendiraamat 29. Tallinn: Eesti Draamateater, 2018, 95 lk<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 Poems \u00a0 Paavo Piik (born 28 December 1983) is a poet, playwright, translator, dramaturge and director. Piik completed Tallinn English College and graduated from the University of Oxford in the specialities of philosophy, political science and economics and from &#8230;<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":675,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-860","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=860"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/860\/revisions"}],"predecessor-version":[{"id":4212,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/860\/revisions\/4212"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/675"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}