{"id":2049,"date":"2024-04-03T23:42:24","date_gmt":"2024-04-03T20:42:24","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/about-et-269\/"},"modified":"2024-04-04T00:05:31","modified_gmt":"2024-04-03T21:05:31","slug":"about","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/v\/vetemaa\/about\/","title":{"rendered":"Enn Vetemaa – about"},"content":{"rendered":"
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\n\t\t\t\tArticles<\/strong><\/span>\n\t\t\t<\/p>\n

\n\t\t\t\tGerman<\/em><\/strong>
O. Lapatuchina, Enn Vetemaa als Dramatiker<\/strong>. \u2013 Sowjetwissenschaft. Kunst und Literatur, vol 12, 1982, pp 1301-1314.
Lew Anninski, Faust in der Maske Mephistos<\/strong>. \u2013 Enn Vetemaa, Kleine Romane. Berlin: Verlag Volk und Welt, 1981, pp 343-367.
Silvia Nagelmaa, Lia Kevvai, Enn Vetemaa \u2013 Ingenieur und Musiker, vor allem jedoch Schriftsteller<\/strong>. \u2013 Estland \u201977. Tallinn: Perioodika, 1977, pp 65-70.<\/span>\n\t\t\t<\/p>\n

\n\t\t\t\tRussian<\/span><\/em><\/strong><\/span>
\u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u0427\u0430\u0441\u0442\u043d\u0430\u044f \u0436\u0438\u0437\u043d\u044c \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u043e\u0432, \u0440\u0443\u0441\u0430\u043b\u043e\u043a \u0438 \u043b\u044e\u0434\u0435\u0439<\/a><\/strong>. \u0418\u0437 \u043a\u043d\u0438\u0433\u0438 \u00ab\u0413\u043e\u0440\u044f\u0447\u0430\u044f \u0434\u0435\u0441\u044f\u0442\u043a\u0430 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0435\u0439\u00bb. \u0412\u0441\u0442\u0443\u043f\u0438\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u0437\u0430\u043c\u0435\u0442\u043a\u0430 \u041d\u044d\u043b\u043b\u0438 \u0410\u0431\u0430\u0448\u0438\u043d\u043e\u0439-\u041c\u0435\u043b\u044c\u0446. \u2013 \u0414\u0440\u0443\u0436\u0431\u0430 \u041d\u0430\u0440\u043e\u0434\u043e\u0432, no 4, 2009. \u042d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0435 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0438 \u043d\u0430 \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u0430\u0445 \u00ab\u0414\u041d\u00bb<\/a>. [About Enn Vetemaa and Mati Unt.\u00a0See contents<\/a><\/strong> of the special edition.]
\u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u042d\u043d\u043d \u0412\u0435\u0442\u0435\u043c\u0430\u0430: \u0427\u0435\u043b\u043e\u0432\u0435\u043a, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u0441\u043e\u0442\u0432\u043e\u0440\u0438\u043b \u201c\u041c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u201d<\/strong>. \u2013 \u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u0413\u043e\u0440\u044f\u0447\u0430\u044f \u0434\u0435\u0441\u044f\u0442\u043a\u0430 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0435\u0439: \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u044b XX \u2013 \u043d\u0430\u0447\u0430\u043b\u0430 XXI \u0432\u0435\u043a\u0430: \u044d\u0441\u0441\u0435. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: \u041a\u041f\u0414, 2004, pp 51-85. [See contents<\/a><\/strong> of the monograph.]
\u0420\u043e\u043c\u0430\u043d \u041a\u0430\u043b\u043b\u0430\u0441, \u042d\u043d\u043d \u0412\u0435\u0442\u0435\u043c\u0430\u0430: \u0412 \u043f\u043e\u0438\u0441\u043a\u0430\u0445 \u043d\u0440\u0430\u0432\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0433\u043e \u0433\u0435\u0440\u043e\u044f<\/strong>. \u2013 \u0420\u043e\u043c\u0430\u043d \u041a\u0430\u043b\u043b\u0430\u0441, \u042d\u0441\u0442\u043e\u043d\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430: 20 \u0438\u043c\u0435\u043d \u043e\u0442 \u043a\u043b\u0430\u0441\u0441\u0438\u043a\u0438 \u0434\u043e \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442\u0438: \u043d\u0430\u0447\u0430\u043b\u044c\u043d\u044b\u0439 \u043a\u0443\u0440\u0441 \u0434\u043b\u044f \u0448\u043a\u043e\u043b \u0441 \u0440\u0443\u0441\u0441\u043a\u0438\u043c \u044f\u0437\u044b\u043a\u043e\u043c \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u044f. Viljandi: Sarapuu, 1997, pp 157-163. [See contents<\/a><\/strong> of the monograph.]<\/span><\/span>
\u00a0\n\t\t\t<\/p>\n

\n\t\t\t\tReviews<\/strong><\/span>\n\t\t\t<\/p>\n

\n\t\t\t\tEnglish<\/em><\/strong><\/span>
Janika Kronberg, Short Outlines of Books by Estonian Authors<\/strong><\/a>. \u2013 Estonian Literary Magazine, no 13, 2001. [About the novel \u2018Neitsist s\u00fcndinud\u2019 (\u2018Born to a Virgin\u2019).]
Rutt Hinrikus,\u00a0Minu v\u00e4ga magus elu ehk Martsipanimeister<\/cite><\/strong>\u00a0by Enn Vetemaa<\/strong>. \u2013 World Literature Today, vol 78, no 2, 2004, p 83.<\/span>
Tiina Kirss,\u00a0Tulnuk<\/cite><\/strong>\u00a0by Enn Vetemaa<\/strong>. \u2013 World Literature Today, vol 62, no 2, 1988, p 308.<\/span><\/span>
Ilmar Mikiver,\u00a0M\u00f6biuse leht<\/cite><\/strong>\u00a0by Enn Vetemaa<\/strong>. \u2013 World Literature Today, vol 60, no 3, 1986, p 495.<\/span><\/span>
George Kurman,\u00a0Ah soo\u2026 V\u00f5i nii!!!<\/cite><\/strong>\u00a0by Enn Vetemaa. <\/strong>\u2013 World Literature Today, vol 59, no 4, 1985, p 628.<\/span><\/span>
Ilmar Mikiver,\u00a0V\u00e4ike n\u00e4idendiraamat<\/cite><\/strong>\u00a0by Enn Vetemaa<\/strong>. \u2013 World Literature Today, vol 53, no 1, 1979, p 153.<\/span><\/span>
Ivar Ivask,\u00a0V\u00e4ike romaaniraamat<\/cite><\/strong>\u00a0by Enn Vetemaa<\/strong>. \u2013 Books Abroad, vol 44, no 1, 1970, pp 157-158.
Ivar Ivask,\u00a0Pillimees<\/cite><\/strong>\u00a0by Enn Vetemaa<\/strong>. \u2013 Books Abroad, vol 42, no 2, 1968, pp 310-311.<\/span><\/span><\/span><\/span><\/span><\/span>\n\t\t\t<\/p>\n

\n\t\t\t\tGerman<\/em><\/strong>
Cornelius Hasselblatt,\u00a0<\/span>Enn Vetemaa: Monument<\/strong>. \u2013\u00a0Kindlers Literatur Lexikon 3, bd 16.\u00a0Stuttgart, Weimar: Verlag\u00a0J.B. Metzler, 2009, pp 789f.
Ave Tarrend, [About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019)]<\/strong>. \u2013 Mitteilungen aus der Deutschen Bibliothek, vol 36, Helsnki, 2004, pp 260-262. [About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
David Feest, Estnische Nixen<\/strong>. \u2013 INFOBALT.DE 11, no 2\/02, Winter 2003, pp 32-33. [About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
Tilman Spreckelsen, Tr\u00e4llernde Nymphomanin<\/strong>. \u2013 Frankfurter Allgemeine Zeitung, 20.7.2002. [About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
rox, Nixenkunde<\/strong>. \u2013 Neue Z\u00fcrcher Zeitung, 24.8.2002. [About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
Burkhard M\u00fcller, Das doppelte Nixchen<\/strong>. \u2013 S\u00fcddeutsche Zeitung, 3.9.2002. [About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
Marianne Vogel, Von Systemkritik zur Anpassung: Wie ein Buch in der \u00dcbersetzung die Farbe wechselt<\/strong>. \u2013 Estonia, no 2, 2002, pp 60-64. [About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
[s. n., About \u2018Die Nixen in Estland\u2019, 2002 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019)<\/strong>]. \u2013 Baltica, no 4, 2001\/2002, pp 38-39.<\/span><\/span><\/span>
Cornelius Hasselblatt, Enn Vetemaa: Monument<\/strong>. \u2013 Kindlers Neues Literatur Lexikon, bd 17. M\u00fcnchen: Kindler, 1992, pp 107-108.
Volker Pirsich, Scherz, Satire, Ironie und tiefere Bedeutung?<\/strong>. \u2013 Estonia: Zeitschrift f\u00fcr estnische Literatur und Kultur, no 4, 1986, pp 35-37. [About \u2018Die Nixen in Estland\u2019, Berlin 1985.]<\/span>
Matthias Biskupek, <\/span>[About \u2018Die Nixen in Estland\u2019 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019)]<\/span><\/strong>. \u2013 Eulenspiegel, no 32, 1986, p 13.
Margot Zielinski, Fabelhafte Wesen<\/strong>. \u2013 Wochenpost, no 52, 1986. [About \u2018Die Nixen in Estland\u2019 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
Imbi Riemann, Biologieliteratur<\/strong>. \u2013 Estonia, no 1, 1986, pp 38-39. [About \u2018Die Nixen in Estland\u2019 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]
Tage Sommerfeld, Alles f\u00fcr die Nixen<\/strong>. \u2013 Junge Welt (Berlin), no 254, 28.10.1986. [About \u2018Die Nixen in Estland\u2019 (\u2018Eesti n\u00e4kiliste v\u00e4lim\u00e4\u00e4raja\u2019).]<\/span><\/span>
Wolfgang H\u00e4ssner, Ofenlose V\u00f6gel<\/strong>. \u2013 Schweriner Volkszeitung, no 12, 15.1.1982, Beilage, p 10. [About \u2018Kleine Romane\u2019.]
Gerhard Schaumann, Bohrende Selbstbefragung<\/strong>. \u2013 Sonntag (Berlin), no 46, 14.11.1982, p 12. [About \u2018Kleine Romane\u2019.]
Irmtraut Gutschke, Scharfsinnige Analyse in geschliffenen Monologen<\/strong>. \u2013 Neues Deutschland, 22.\/23.8.1981, Beilage, p 14. [About \u2018Kleine Romane\u2019.]<\/span><\/span>
D.F., Schuld, Verrat, Leidenschaften<\/strong>. \u2013 National Zeitung (Berlin), 16.11.1981. [About \u2018Kleine Romane\u2019.]<\/span><\/span>
Nyota Thun, Krieg und Literatur<\/strong>. \u2013 Studien zur sowjetischen Prosa von 1941 bis zur Gegenwart. Berlin, 1977, pp 200-205. [About \u2018Kleines Requiem f\u00fcr eine Mundharmonika\u2019 (\u2018V\u00e4ike reekviem suupillile\u2019).]<\/span><\/span>\n\t\t\t<\/p>\n

\n\t\t\t\t
Interviews<\/span><\/strong><\/span><\/span>\n\t\t\t<\/p>\n

\n\t\t\t\tGerman<\/em><\/strong>
Ein Prosaschriftsteller wird Dramatiker. Gespr\u00e4ch zwischen Enn Vetemaa und Juli Smelkow<\/strong>. \u2013 Sowjetwissenschaft. Kunst und Literatur, vol 2, 1978, pp 163-169.<\/span><\/span>\n\t\t\t<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Articles GermanO. Lapatuchina, Enn Vetemaa als Dramatiker. \u2013 Sowjetwissenschaft. Kunst und Literatur, vol 12, 1982, pp 1301-1314.Lew Anninski, Faust in der Maske Mephistos. \u2013 Enn Vetemaa, Kleine Romane. Berlin: Verlag Volk und Welt, 1981, pp 343-367.Silvia Nagelmaa, Lia Kevvai, Enn …<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":2041,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-2049","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/2049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=2049"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/2049\/revisions"}],"predecessor-version":[{"id":3030,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/2049\/revisions\/3030"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/2041"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=2049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}