{"id":1947,"date":"2024-04-03T23:42:13","date_gmt":"2024-04-03T20:42:13","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/viirlaid\/"},"modified":"2024-04-04T00:05:49","modified_gmt":"2024-04-03T21:05:49","slug":"viirlaid","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/v\/viirlaid\/","title":{"rendered":"Arved Viirlaid"},"content":{"rendered":"<p>\n\t<strong><span style=\"font-family: verdana, geneva;font-size: medium\"><a href=\"https:\/\/sisu.ut.ee\/ewod\/v\/viirlaid\/poems\">Poems<\/a>\u00a0<\/span><\/strong><a href=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/viirlaid.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"1044\" height=\"1527\" class=\"alignnone wp-image-2206\" style=\"width: 200px;height: 293px;float: right\" src=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/viirlaid_vaike.jpg\" title=\"viirlaid_vaike.jpg\" alt=\"Arved Viirlaid\" srcset=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/viirlaid_vaike.jpg 1044w, https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/viirlaid_vaike-205x300.jpg 205w, https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/viirlaid_vaike-700x1024.jpg 700w, https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/viirlaid_vaike-768x1123.jpg 768w\" sizes=\"auto, (max-width: 1044px) 100vw, 1044px\"><\/a>\n<\/p>\n<p>\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/v\/viirlaid\/novels\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Novels<\/span><\/strong><\/a>\n<\/p>\n<p>\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/v\/viirlaid\/about\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">About Arved Viirlaid<\/span><\/strong><\/a>\n<\/p>\n<p><span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\">Arved Viirlaid (11. IV 1922 \u2013 21. VI 2015) was an Estonian prose-writer and poet, known chiefly for his novels of war and exile, earning the status of an ideologically nationalist writer for his popular and much-translated novel <em>Ristideta hauad<\/em> (\u2018Graves Without Crosses\u2019, 1952).<\/span><\/span><\/p>\n<p><span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\">Viirlaid was born in 1922 as the son of a farming family in the Padise district of Harjumaa county. From 1937 to 1941 he studied at the Tallinn School of Applied Art. During the German occupation he worked as a technical editor for the publishing house Tallinna Eesti Kirjastus-\u00dchisus. From 1941 to 1944 he fought as a Forest Brother guerrilla and Finnish recruit against Soviet troops. He returned to Estonia from Finland in August 1944, fighting on the German side. In October 1944 he fled by boat to Finland, and onward to Sweden. After the war he lived for a short time in Sweden, from 1945 to 1953 in England, where he held various jobs, and from 1953 in Canada, working until his retirement in a printing-house. Alongside his daily work he was a creative writer. For a long time he was the chairman of the Estonian PEN Club. He was a member of the Estonian Writers\u2019 Union Abroad (from 1950), Estonian National Central Council, the Estonian Central Council in Canada and the Estonian Officers\u2019 Association. In exile he repeatedly won the Henrik Visnapuu Literature Prize (1954, 1979, 1981, 1992). He received the Virumaa Literary Prize for the work <em>M\u00e4rgitud<\/em> (\u2018Marked\u2019, 1991). In 1997 President Lennart Meri awarded him the Order of the National Coat of Arms of Estonia, III class, but the writer refused to accept it. Viirlaid died at his rural home near Toronto.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\">He began his literary career as an outstanding poet. Viirlaid was one of the pioneers of war poetry in exile. His first poetry collections feature reflections on the war years and life in exile, as well as the theme of love. In his later poetry, reminiscence is the primary material, with an increase in the epical mode of expression.<\/span><\/p>\n<p><span style=\"font-size: small\">He became known as a prose writer. As a representative of the betrayed generation, his task proceeds from a firm ethical principle: to tell the world the truth about what happened in Estonia during the Second World War and afterward. In his novels Viirlaid described the events of the war in Estonia, during the changes of occupation, about the Forest Brothers, the actuality of the Soviet prison camps and the problems of life in exile society. Because of his radical nationalist views and his uncompromising anti-communist stance he was a totally banned author in Soviet Estonia. He published 10 novels, two prose collections and eight collections of poetry, most of his work appearing abroad and finding its way to Estonia with difficulties and delays.<\/span><br><span style=\"font-size: small\">\u00a0<\/span><br><span style=\"font-size: small\">Viirlaid\u2019s first substantial prose work, the novel <em>Tormiaasta<\/em> (\u2018Year of the Storm\u2019, 1949), written in the London internment camp, tells of the events of the war in 1944 in Estonia. His major work, rich in characters and intrigues, the epic of the Forest Brothers called <em>Ristideta hauad<\/em>, I-II, (\u2018Graves without Crosses\u2019, 1952), takes the reader back to the beginning of the Soviet occupation of Estonia, the autumn of 1944, when many Estonians had to hide in the forests, by way of armed resistance to the occupation forces. With heroic pathos, this realistic novel tells of the occupied nation\u2019s will to free itself, of the Estonians\u2019 hopeless struggle, full of disappointment, for their homes and lives. The novel <em>Seitse kohtup\u00e4eva<\/em> (\u2018Seven Days of Judgment\u2019, 1957) communicates the nightmarish images of exiled writer, the protagonist, in the war years and the complex contacts with the realities of life in exile. The course of the Estonian cause in Estonia and in exile is dealt with in a cycle of five novels <em>Vaim ja ahelad<\/em> (\u2018Spirit and Chains\u2019, 1961), <em>Kustuvad tuled<\/em> (\u2018Dying Lights\u2019, 1965), <em>Sadu j\u00f5kke<\/em> (\u2018Rain for the River\u2019, 1965), <em>Kes tappis Eerik Hormi?<\/em> (\u2018Who Killed Eerik Horm?\u2019, 1974); <em>Surnud ei loe<\/em> (\u2018The Dead Don\u2019t Count\u2019, 1975), unified by the figure of the Estonian officer Eerik Horm, a freedom fighter. The documentary novel <em>M\u00e4rgitud<\/em> (\u2018Marked\u2019, 1980), examines the tragic fate of the Finnish Boys or Estonian infantry regiment no. 200 in the Finnish army during the Second World War. The autobiographical novel <em>P\u00f5hjat\u00e4he pojad<\/em> (\u2018Sons of the North Star\u2019, 2009) deals with the struggle of the betrayed generation in Finland and Estonia from spring 1943 to the flight to Sweden in autumn 1944. Viirlaid\u2019s socially significant short prose adds episodes to the material covered in the novels.<\/span>\n<\/p>\n<p>\n\t<em><span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\">A. O. (Translated by C. M.)<\/span><\/span><\/em>\n<\/p>\n<p><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Books in Estonian<\/span><\/strong>\n<\/p>\n<p>\n\t<span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\"><strong><em>Poems<\/em><\/strong><br><strong>Hulkuri evangeelium<\/strong>. London: Dragon Press, 1948, 96 lk.<br><strong>\u00dcks suve\u00f5htune naeratus<\/strong>. London: [<em>s.n.<\/em>], 1949, 96 lk.<br><strong>J\u00e4\u00e4tanud peegel<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1962, 95 lk.<br><strong>H\u00f5llalaulud<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1967, 95 lk.<br><strong>K\u00e4sik\u00e4es<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1978, 94 lk.<br><strong>Igaviku silmapilgutus<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1982, 112 lk.<br><strong>Valgus rahnude all<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1990, 96 lk.<br><strong>Elada antud on elu<\/strong>. Toronto:\u00a0[<em>s.n.<\/em>], 1993, 39 lk.<\/span><\/span><\/p>\n<p><strong><em>Novels<\/em><\/strong><br><strong>Tormiaasta<\/strong>. I\u2013II. Vadstena: Orto, 1949, 365+421 lk.<br><strong>Ristideta hauad<\/strong>. I\u2013II. Lund: Eesti Kirjanike Kooperatiiv, 1952, 367+360 lk. [J\u00e4rgnevad tr\u00fckid: Tallinn: Perioodika, 1991, 238+360 lk; Tallinn: Eesti P\u00e4evaleht, 2009, 522 lk; Tallinn: Hea Lugu, 2015, 519 lk.]<br><strong>Seitse kohtup\u00e4eva<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1957, 347 lk.<br><strong>Vaim ja ahelad<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1961, 343 lk. [J\u00e4rgnev tr\u00fckk: Tallinn: Virgela, 1998, 325 lk.]<br><strong>Kustuvad tuled<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1965, 275 lk.<br><strong>Sadu j\u00f5kke<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1965, 260 lk.<br><strong>Kes tappis Eerik Hormi?<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1974, 285 lk.<br><strong>Surnud ei loe<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1975, 276 lk.<br><strong>M\u00e4rgitud<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1980, 220 lk. [J\u00e4rgnev tr\u00fckk: Tallinn: Perioodika, 1990, 220 lk.]<br><strong>P\u00f5hjat\u00e4he pojad<\/strong>. Tartu: Ilmamaa, 2009, 253 lk. [J\u00e4rgnev tr\u00fckk: Tartu: Ilmamaa, 2010, 461 lk.]<\/p>\n<p><strong><em>Short stories<\/em><\/strong><br><strong>Saatuse s\u00f5lmed<\/strong>. Lund: Eesti Kirjanike Kooperatiiv, 1993, 248 lk. [J\u00e4rgnev tr\u00fckk: Tallinn: Eesti Raamat, 1994, 166 lk.]<br><span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\"><strong>Ajal on mitu n\u00e4gu<\/strong>. Tartu: Ilmamaa, 2005, 462 lk.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poems\u00a0 Novels About Arved Viirlaid Arved Viirlaid (11. IV 1922 \u2013 21. VI 2015) was an Estonian prose-writer and poet, known chiefly for his novels of war and exile, earning the status of an ideologically nationalist writer for his popular &#8230;<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":733,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1947","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1947","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=1947"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1947\/revisions"}],"predecessor-version":[{"id":3134,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1947\/revisions\/3134"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/733"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=1947"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}