{"id":181,"date":"2024-04-03T23:39:28","date_gmt":"2024-04-03T20:39:28","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/kaints\/"},"modified":"2026-07-30T15:53:21","modified_gmt":"2026-07-30T12:53:21","slug":"kaints","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/k\/kaints\/","title":{"rendered":"Holger Kaints"},"content":{"rendered":"<p class=\"wp-block-paragraph\">\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/k\/kaints\/about\"><span style=\"font-size: medium;font-family: verdana, geneva\"><strong>About Holger Kaints<\/strong><\/span><\/a><span style=\"font-size: medium;font-family: verdana, geneva\"><strong> <\/strong><a href=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/holger_kaints_alar_madisson.jpg\" target=\"_self\" rel=\"noopener\"><img decoding=\"async\" alt=\"Holger Kaints\" src=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/holger_kaints_vaike_alar_madisson.jpg\" style=\"float: right;width: 200px;height: 301px\" title=\"Photo: Alar Madisson\"><\/a><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t\u00a0\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\"><span style=\"line-height:150%\"><font face=\"Times New Roman, serif\"><font size=\"3\"><font style=\"12pt\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\">Holger Kaints (born 4 I 1957) is a prose writer and critic.<\/span><\/span><\/span><\/font><\/font><\/font><\/span><\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">Kaints was born in Tallinn and, among other jobs, has worked as a bookseller. He is a member of the Estonian Writers\u2019 Union (from 2009) and the Estonian PEN Club. <\/font><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">Kaints\u2019 debut novel <i>Teekond m\u00e4etipu poole<\/i> (\u2018Journey Towards the Mountain Top\u2019) with the subheading <i>Ulmejutt<\/i> (\u2018A Science Fiction Story\u2019) was published in 2003. Its mode of expression and style are clearly recognisable. The action of this book of alternative history takes place in the Soviet Union in 2012, which is a hint at Soviet science fiction. The Soviet world with all its characteristic features opens in a grotesque key.<\/font><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">Partly, the remnants of the Soviet time also form the theme of <i>Lennukivaatleja <\/i>(\u2018Planespotter\u2019, 2009, winner of the Siugjas Sulepea (\u2018Snaky Pen\u2019) award in the same year), the action of which takes place in a slum are near Tallinn Airport where people of mostly Russian background who had been left aside from the success of the present-day world eke out their living. One of them is daily engaged in watching of planes and taking notes, believing that he has discovered a big secret. Tension is added to this thrilling world with its shifted reality by the mysterious black BMW which starts to follow the protagonist.<\/font><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">The novel <i>Uinuv maa<\/i> (\u2018Dormant Country\u2019, 2016) takes a look into the years 1938, 1941 and 1946 or into the life at the end of the first independence period of the Republic of Estonia and the beginning of the Soviet regime through the eyes of Rilma, a young girl who has married a principled communist. The novel is based on historical material and has some recognisable prototypes. It depicts with compassion but without dramatism usually characteristic of writing about the period the world of the communist elite and the construction of the new society.<\/font><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">The short novel <i>J\u00f5ululaup\u00e4ev. N\u00f5mme 1970<\/i> (\u2018Christmas Eve. N\u00f5mme 1970\u2019, 2018) provides a restrained view of a Christmas Eve as seen by different members of a family. <\/font><\/span><\/span><\/span><\/span>The main characters of the novel <em>Sten Marsingi salk<\/em> (\u2018Sten Marsing\u2019s Squad\u2019, 2021) are schoolboys in a small town in Southern Estonia in 1963, who develop dissident sentiments after learning about silenced historical events in Soviet Estonia. Kaints began writing the weird fiction story <em>Pole midagi uut siin p\u00e4ikese all. Kirjanduslik eksperiment<\/em> (\u2018Nothing New Under the Sun. A Literary Experiment\u2019, 2023) in 1976, when he was 19 years old.<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">Short prose from 2002\u20132014 has been published in the collection <i>P\u00e4ev, mil Stalin suri<\/i> (\u2018The Day When Stalin Died\u2019, 2015).<\/font><\/span><\/span><\/span><\/span> Kaints\u2019s next collection of short prose is <em>Vaikne patsient ja teisi jutte aastaist 2016-2025<\/em> (\u2018The Silent Patient and Other Stories from 2016-2025\u2019, 2025).<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">The author\u2019s relation to books from his childhood to working at a state-controlled wholesale store of books and stationery through which foreign books reached Soviet Estonia is described in <i>M\u00e4lestusi raamatutest<\/i> (\u2018Memories about Books\u2019, 2017). The book also provides a picture of the period from the 1960s to the end of 1980s.<\/font><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">In 2012 Kaints received the annual award of the journal <i>Looming<\/i>. In 2019, he was one of those who were selected to receive the writer\u2019s salary from the Ministry of Culture. <\/font><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\"><i>A. K. (Translated by I. A.)<\/i><\/font><\/span><\/span><\/span><\/span><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00a0\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"font-size:16px\"><span style=\"color:#000000\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\"><b>Books in Estonian<\/b><\/font><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\"><em><b>Novels<\/b><\/em><br><strong>Teekond m\u00e4etipu poole<\/strong>: ulmejutt. Tallinn: Eesti Raamat, 2003, 205 lk.<br><strong>Lennukivaatleja<\/strong>. Tallinn: Kultuurileht (<\/font><\/span><\/span><\/span><span><span><span style=\"line-height:150%\"><font><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\">Loomingu Raamatukogu<\/span><\/span>)<\/font><\/span><\/span><\/span><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\">, 2009, 143 lk.<br><strong>Mardika umb, ehk Minu v\u00e4ike hullumaja<\/strong>. Tallinn: Varrak, 2010, 247 lk.<br><strong>K\u00f5rvalep\u00f5ige<\/strong>. Tallinn: Varrak, 2012, 365 lk.<br><strong>Uinuv maa<\/strong>: tript\u00fchhon. Tallinn: Hea Lugu, 2016, 249 lk.<br><strong>J\u00f5ululaup\u00e4ev: N\u00f5mme 1970<\/strong>. Tallinn: Hea Lugu, 2018, 111 lk.<\/font><\/span><\/span><\/span><\/span><br><strong>Sten Marsingi salk<\/strong>. Tallinn: Hea Lugu, 2021, 382 lk.<br><strong>Pole midagi uut siin p\u00e4ikese all<\/strong>. Kirjanduslik eksperiment. Tallinn: Hea Lugu, 2023, 206 lk.<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\"><em><b>Short prose<\/b><\/em><br><strong>P\u00e4ev, mil Stalin suri<\/strong>: l\u00fchiproosat aastatest 2002-2014. Tallinn: Eesti Keele Sihtasutus, 2015, 143 lk.<\/font><\/span><\/span><\/span><\/span><br><strong>Vaikne patsient ja teisi jutte aastaist 2016-2025<\/strong>. Tallinn: Hea Lugu, 2025, 198 lk.<\/p>\n\n\n\n<p class=\"western wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><font style=\"12pt\"><em><b>Memoirs<\/b><\/em><br><strong>M\u00e4lestusi raamatutest<\/strong>. Tallinn: Hea Lugu, 2017, 159 lk.<\/font><\/span><\/span><\/span><\/span>\n<\/p>\n","protected":false},"excerpt":{"rendered":"<p>About Holger Kaints \u00a0 Holger Kaints (born 4 I 1957) is a prose writer and critic. Kaints was born in Tallinn and, among other jobs, has worked as a bookseller. He is a member of the Estonian Writers\u2019 Union (from &#8230;<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":498,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-181","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=181"}],"version-history":[{"count":5,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/181\/revisions"}],"predecessor-version":[{"id":10780,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/181\/revisions\/10780"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/498"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}