{"id":1740,"date":"2024-04-03T23:41:51","date_gmt":"2024-04-03T20:41:51","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/about-et-223\/"},"modified":"2024-04-04T00:06:23","modified_gmt":"2024-04-03T21:06:23","slug":"about","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/k\/kareva\/about\/","title":{"rendered":"Doris Kareva – about"},"content":{"rendered":"

Articles<\/strong><\/span><\/p>\n

German<\/em><\/strong><\/span>
Cornelius Hasselblatt,\u00a0Doris Kareva: Das lyrische Werk<\/strong>. \u2013 Kindlers Literatur Lexikon 3, bd 8.\u00a0Stuttgart, Weimar: Verlag\u00a0J.B. Metzler, 2009, pp\u00a0684f.
Toomas Liiv, Vorwort<\/strong>. \u2013 Doris Kareva, Fraktalia. Aspach 2000, pp 6-14.
Sirje Kiin, Doris Kareva<\/strong>. \u2013 E. M\u00e4gi (Hg.), Junge K\u00fcnstler Sowjetestlands. 2. Tallinn: Perioodika, 1985, pp. 8-13.
<\/span><\/p>\n

Hungarian<\/span><\/em><\/strong>
Lengyel T\u00f3th Krisztina,\u00a0\u201cHi\u00e1nyod \u00e1tj\u00e1r\u2026\u201d: a sz\u00f6vegszervez\u00f6 hi\u00e1ny Doris Kareva egy vers\u00e9ben<\/strong>.\u00a0\u2013\u00a0\u00c9szt-magyar \u00f6sszevet\u00e9s. 3, A III. magyar-\u00e9szt kontraszt\u00edv nyelv\u00e9szeti konferencia (Szombathely, 2000. november 23-24.) el\u00f6ad\u00e1sai = Estnisch-ungarischer Vergleich. 3, Materialien der dritten Konferenz zur estnisch-ungarischen kontrastiven Linguistik 23.-24. November 2000 in Szombathely. Folia Estonica 1215-1160, tomus 8, 142 pp.<\/span><\/p>\n

English<\/strong><\/em><\/span>
Miriam Anne McIlfatrick-Ksenofontov,\u00a0Where the Truth Lies in Translated Poetry: a Doris Kareva Poem in English<\/strong>. \u2013 Interlitteraria, vol 18, no 1, 2013, pp 168-183.<\/span>
Miriam Anne McIlfatrick-Ksenofontov,\u00a0Translating Kareva<\/strong><\/a>. \u2013 Estonian Literary Magazine, no 28, 2009.\u00a0<\/span><\/p>\n

Russian<\/strong><\/em>
\u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u0414\u043e\u0440\u0438\u0441 \u041a\u0430\u0440\u044d\u0432\u0430: \u201c\u0420\u043e\u0441\u043a\u043e\u0448\u044c \u0431\u044b\u0442\u044c \u043f\u043e\u044d\u0442\u043e\u043c, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043f\u0438\u0448\u0435\u0442 \u043d\u0430 \u043c\u0430\u043b\u043e\u0440\u0430\u0441\u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0435\u043d\u043d\u043e\u043c \u044f\u0437\u044b\u043a\u0435\u201d<\/strong>. \u2013 \u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u0413\u0440\u0443\u043f\u043f\u043e\u0432\u043e\u0439 \u043f\u043e\u0440\u0442\u0440\u0435\u0442 \u0441 \u0434\u0430\u043c\u043e\u0439 \u0432 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b: \u041b\u0438\u0434\u0438\u044f \u041a\u043e\u0439\u0434\u0443\u043b\u0430, \u041c\u0430\u0440\u0438\u0435 \u0423\u043d\u0434\u0435\u0440, \u0414\u0435\u0431\u043e\u0440\u0430 \u0412\u0430\u0430\u0440\u0430\u043d\u0434\u0438, \u0411\u0435\u0442\u0442\u0438 \u0410\u043b\u044c\u0432\u0435\u0440, \u041c\u0430\u0439\u043c\u0443 \u0411\u0435\u0440\u0433, \u042d\u043c\u044d \u0411\u044d\u044d\u043a\u043c\u0430\u043d, \u041b\u0435\u044d\u043b\u043e \u0422\u0443\u043d\u0433\u0430\u043b, \u0414\u043e\u0440\u0438\u0441 \u041a\u0430\u0440\u0435\u0432\u0430. \u0420\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0418\u0432\u0430\u043d\u043e\u0432\u0430; \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u0438\u0435: \u0423\u043b\u044c\u0432\u0438 \u041b\u0430\u0445\u0435\u0441\u0430\u043b\u0443; \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a \u0422\u0430\u043c\u0430\u0440\u0430 \u0421\u0435\u0440\u0433\u0438\u0435\u043d\u043a\u043e. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u201c\u041a\u041f\u0414\u201d, 2010, pp 185-206. [Article\/interview. See contents<\/a><\/strong> of the collection of articles.]<\/span><\/p>\n

Reviews<\/strong><\/span><\/p>\n

English<\/em><\/strong><\/span>
Rutt\u00a0Hinrikus, Janika\u00a0Kronberg,\u00a0Short Outlines of Books by Estonian Authors<\/strong><\/a>.\u00a0Estonian Literary Magazine, no 26, 2008. [About the poetry collection \u2018L\u00f5ige\u2019 (\u2018Cut\u2019).]<\/span>
Rutt\u00a0Hinrikus, Janika\u00a0Kronberg,\u00a0Short Outlines of Books by Estonian Authors<\/strong>.\u00a0Estonian Literary Magazine, no 2, 1996, p 15. [About the poetry collection \u2018Armuaeg\u2019 (\u2018Days of Grace\u2019).]
Eric Dickens, [Review of Sirje Kiin, Rein Ruutsoo, Andres Tarand, \u201940 kirja lugu\u2019; Doris Kareva, \u2018Armuaeg\u2019, Hando Runnel, \u2018M\u00f5\u00f5k ja peegel\u2019]<\/strong>. PEN International, no 1, 1992.<\/span>
Ilmar Mikiver,\u00a0Vari ja viiv<\/cite><\/strong>\u00a0by Doris Kareva<\/strong>. \u2013 World Literature Today, vol 61, no 4, 1987, pp 656-657.<\/span><\/p>\n

German<\/em><\/strong>
Beate Biehl, Liebe in einer br\u00fcchigen Welt<\/strong>. \u2013 Estonia, 2001, no 1, pp 60-63. [About \u2018Fraktalia\u2019.]<\/p>\n

<\/p>\n

Interviews<\/strong><\/span>
<\/span><\/p>\n

English
<\/strong><\/em>J\u00fcrgen Rooste, High tension captured in bare palms. An interview with Doris Kareva.<\/strong>\u00a0\u2013 Estonian Literary Magazine, no 46, 2018, p 2-7<\/span><\/p>\n

Russian<\/strong><\/em>
\u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445,\u00a0\u0414\u043e\u0440\u0438\u0441 \u041a\u0430\u0440\u044d\u0432\u0430: \u201c\u0420\u043e\u0441\u043a\u043e\u0448\u044c \u0431\u044b\u0442\u044c \u043f\u043e\u044d\u0442\u043e\u043c, \u043a\u043e\u0442\u043e\u0440\u044b\u0439 \u043f\u0438\u0448\u0435\u0442 \u043d\u0430 \u043c\u0430\u043b\u043e\u0440\u0430\u0441\u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0435\u043d\u043d\u043e\u043c \u044f\u0437\u044b\u043a\u0435\u201d<\/strong>. \u2013 \u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u0413\u0440\u0443\u043f\u043f\u043e\u0432\u043e\u0439 \u043f\u043e\u0440\u0442\u0440\u0435\u0442 \u0441 \u0434\u0430\u043c\u043e\u0439 \u0432 \u0438\u043d\u0442\u0435\u0440\u044c\u0435\u0440\u0435 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u043e\u0439 \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u044b: \u041b\u0438\u0434\u0438\u044f \u041a\u043e\u0439\u0434\u0443\u043b\u0430, \u041c\u0430\u0440\u0438\u0435 \u0423\u043d\u0434\u0435\u0440, \u0414\u0435\u0431\u043e\u0440\u0430 \u0412\u0430\u0430\u0440\u0430\u043d\u0434\u0438, \u0411\u0435\u0442\u0442\u0438 \u0410\u043b\u044c\u0432\u0435\u0440, \u041c\u0430\u0439\u043c\u0443 \u0411\u0435\u0440\u0433, \u042d\u043c\u044d \u0411\u044d\u044d\u043a\u043c\u0430\u043d, \u041b\u0435\u044d\u043b\u043e \u0422\u0443\u043d\u0433\u0430\u043b, \u0414\u043e\u0440\u0438\u0441 \u041a\u0430\u0440\u0435\u0432\u0430. \u0420\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u0421\u0432\u0435\u0442\u043b\u0430\u043d\u0430 \u0418\u0432\u0430\u043d\u043e\u0432\u0430; \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u0438\u0435: \u0423\u043b\u044c\u0432\u0438 \u041b\u0430\u0445\u0435\u0441\u0430\u043b\u0443; \u0445\u0443\u0434\u043e\u0436\u043d\u0438\u043a \u0422\u0430\u043c\u0430\u0440\u0430 \u0421\u0435\u0440\u0433\u0438\u0435\u043d\u043a\u043e. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: \u0418\u0437\u0434\u0430\u0442\u0435\u043b\u044c\u0441\u0442\u0432\u043e \u201c\u041a\u041f\u0414\u201d, 2010, pp 185-206. [Article\/interview. See\u00a0contents<\/a><\/strong>\u00a0of the collection of articles.]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Articles GermanCornelius Hasselblatt,\u00a0Doris Kareva: Das lyrische Werk. \u2013 Kindlers Literatur Lexikon 3, bd 8.\u00a0Stuttgart, Weimar: Verlag\u00a0J.B. Metzler, 2009, pp\u00a0684f.Toomas Liiv, Vorwort. \u2013 Doris Kareva, Fraktalia. Aspach 2000, pp 6-14.Sirje Kiin, Doris Kareva. \u2013 E. M\u00e4gi (Hg.), Junge K\u00fcnstler Sowjetestlands. 2. …<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":276,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1740","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1740","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=1740"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1740\/revisions"}],"predecessor-version":[{"id":3330,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1740\/revisions\/3330"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/276"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=1740"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}