{"id":1341,"date":"2024-04-03T23:41:10","date_gmt":"2024-04-03T20:41:10","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/about-et-122\/"},"modified":"2024-04-04T00:07:33","modified_gmt":"2024-04-03T21:07:33","slug":"about","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/v\/vahing\/about\/","title":{"rendered":"Vaino Vahing &#8211; about"},"content":{"rendered":"<p><span style=\"font-family: verdana, geneva\"><strong><span style=\"font-size: medium\">Articles<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana, geneva\"><strong><em>English<\/em><\/strong><\/span><br><span style=\"font-family: verdana,geneva\">Rein Tootmaa, <strong>Fixing Anti-Values and Creating Alienated Illusions. The Grotesque in the Work of Estonian Writers Arvo Valton and Vaino Vahing from the Sixties to the Eighties<\/strong>. \u2013 Interlitteraria, vol 2, 1997, pp 313-326.<br>George Kurman, <strong>Vaino Vahing and Soviet Estonian Literature<\/strong>. \u2013 Journal of Baltic Studies, vol 5, no 4, 1974, pp 385-395. [Contains translations of Vaino Vahing\u2019s short stories \u2018Raport\u2019, \u201dFederation Proceedings\u201d, \u2018Portree\u2019, \u2018Et\u00fc\u00fcd\u2019, \u2018V\u00e4gistaja\u2019 and \u2018Treskold\u2019 (\u2018Report\u2019, \u2018Federation Proceedings\u2019, \u2018Portrait\u2019, \u2018Etude\u2019, \u2018The Rapist\u2019 and \u2018Treskold\u2019).]<\/span><\/p>\n<p><span style=\"font-family: verdana, geneva\"><strong><span style=\"font-size: medium\">Reviews<\/span><\/strong><\/span><\/p>\n<p><span style=\"font-family: verdana,geneva\"><em><strong>English<\/strong><\/em><br>George Kurman,\u00a0<strong><cite>Machiavelli kirjad t\u00fctrele<\/cite><\/strong><span style=\"font-family: verdana,geneva\"><strong>\u00a0by Vaino Vahing<\/strong>. \u2013 World Literature Today, v<span style=\"font-family: verdana,geneva\">ol 66, no 1, 1992, p 170.<\/span><\/span><br>Ilmar Mikiver,\u00a0<strong><cite>Faehlmann: Keskp\u00e4ev; \u00d5htuselgus<\/cite><\/strong><span style=\"font-family: verdana,geneva\"><strong>\u00a0by Vaino Vahing, Madis K\u00f5iv<\/strong>. \u2013 World Literature Today, v<span style=\"font-family: verdana,geneva\">ol 59, no 4, 1985, pp 627-628.<\/span><\/span><br>George Kurman, <strong><em>Kaemus<\/em> by Vaino Vahing<\/strong>; <strong><em>Sina<\/em> by Vaino Vahing<\/strong>. \u2013 Books Abroad, vol 48, no 1, 1974, p 187.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Articles EnglishRein Tootmaa, Fixing Anti-Values and Creating Alienated Illusions. The Grotesque in the Work of Estonian Writers Arvo Valton and Vaino Vahing from the Sixties to the Eighties. \u2013 Interlitteraria, vol 2, 1997, pp 313-326.George Kurman, Vaino Vahing and Soviet &#8230;<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":257,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1341","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=1341"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1341\/revisions"}],"predecessor-version":[{"id":3744,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1341\/revisions\/3744"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/257"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=1341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}