{"id":116,"date":"2024-04-03T23:39:22","date_gmt":"2024-04-03T20:39:22","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/about-et-9\/"},"modified":"2024-04-04T00:11:01","modified_gmt":"2024-04-03T21:11:01","slug":"about","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/u\/unt\/about\/","title":{"rendered":"Mati Unt – about"},"content":{"rendered":"

\n\tArticles<\/strong><\/span>\n<\/p>\n

\n\tEnglish<\/strong><\/em>
Virve Sarapik,\u00a0<\/em>Autumn in a New Residential Area<\/strong>. <\/strong><\/em>\u2013 Interlitteraria,<\/strong>\u00a0<\/em>vol 16, no 2, 2011, pp 502-519. [About the novel \u2018Autumn ball\u2019 (\u2018S\u00fcgisball\u2019) and the film version of it]
Mihkel Mutt,\u00a0A live classic and an attraction for the young. Reflections on Mati Unt<\/a><\/strong>. \u2013 Estonian Literary Magazine, no 13, 2001.
Luule Epner,\u00a0Text and Stage: Theatricalism in Modern Estonian Drama<\/strong>. \u2013 Interlitteraria, vol 1, 1996, pp 26-40. [About the plays of Mati Unt]
Maire Jaanus Kurrik, Translation and loss: Mati Unt\u2019s \u201cDoomsday\u201d<\/strong><\/a>. \u2013 Lituanus: Lithuanian quarterly journal of arts and sciences, vol 24, no 2, 1978.
Maire Jaanus Kurrik, Mati Unt\u2019s Via Regia: form and praxis<\/strong>. \u2013\u00a0 Journal of Baltic Studies, vol 8, no 3, 1977.<\/span>\n<\/p>\n

\n\tGerman<\/em><\/strong>
[s. n.], Die ewige Angst der M\u00e4nner\u2026<\/strong>. \u2013 Hamburger Morgenpost, Beilage zur Hammoniale, 8.9.1993.
[s. n.], M\u00e4nnerm\u00f6rderinnen. Mati Unt zu seinem St\u00fcck<\/strong>. \u2013 KursNordNordOst. Das Baltikum. 16. September \u2013 2. Oktober. Hammoniale \u201993. Festival der Frauen. Hamburg, 1993, pp 44-46.
Marju Lauristin, Mati Unt<\/strong>. \u2013 Junge K\u00fcnstler Sowjetestlands. Tallinn: Perioodika, 1980, pp 59-64.<\/span>\n<\/p>\n

\n\tRussian<\/strong><\/em><\/span>
\u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445,\u00a0\u0427\u0430\u0441\u0442\u043d\u0430\u044f \u0436\u0438\u0437\u043d\u044c \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u043c\u043e\u043d\u0443\u043c\u0435\u043d\u0442\u043e\u0432, \u0440\u0443\u0441\u0430\u043b\u043e\u043a \u0438 \u043b\u044e\u0434\u0435\u0439<\/a><\/strong>. \u0418\u0437 \u043a\u043d\u0438\u0433\u0438 \u00ab\u0413\u043e\u0440\u044f\u0447\u0430\u044f \u0434\u0435\u0441\u044f\u0442\u043a\u0430 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0435\u0439\u00bb. \u0412\u0441\u0442\u0443\u043f\u0438\u0442\u0435\u043b\u044c\u043d\u0430\u044f \u0437\u0430\u043c\u0435\u0442\u043a\u0430 \u041d\u044d\u043b\u043b\u0438 \u0410\u0431\u0430\u0448\u0438\u043d\u043e\u0439-\u041c\u0435\u043b\u044c\u0446. \u2013\u00a0\u0414\u0440\u0443\u0436\u0431\u0430 \u041d\u0430\u0440\u043e\u0434\u043e\u0432, no 4, 2009<\/a>. \u042d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0435 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0438 \u043d\u0430 \u0441\u0442\u0440\u0430\u043d\u0438\u0446\u0430\u0445 \u00ab\u0414\u041d\u00bb<\/a>. [About Enn Vetemaa and Mati Unt.\u00a0See\u00a0contents<\/a>\u00a0<\/strong>of the special edition.]
\u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u041c\u0430\u0442\u0438 \u0423\u043d\u0442. \u041c\u043d\u043e\u0433\u043e\u0433\u0440\u0430\u043d\u043d\u044b\u0439 \u043f\u043e\u0441\u0442\u043c\u043e\u0434\u0435\u0440\u043d\u0438\u0441\u0442 \u0438 \u0435\u0433\u043e \u043c\u0438\u0440 \u2013 \u043a\u043e\u043b\u043b\u0430\u0436<\/strong>. \u2013 \u0411\u043e\u0440\u0438\u0441 \u0422\u0443\u0445, \u0413\u043e\u0440\u044f\u0447\u0430\u044f \u0434\u0435\u0441\u044f\u0442\u043a\u0430 \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0438\u0445 \u043f\u0438\u0441\u0430\u0442\u0435\u043b\u0435\u0439: \u044d\u0441\u0442\u043e\u043d\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430 \u0432\u0442\u043e\u0440\u043e\u0439 \u043f\u043e\u043b\u043e\u0432\u0438\u043d\u044b XX \u2013 \u043d\u0430\u0447\u0430\u043b\u0430 XXI \u0432\u0435\u043a\u0430: \u044d\u0441\u0441\u0435. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: \u041a\u041f\u0414, 2004, pp 160-191. [See contents<\/a><\/strong> of the monograph.]
\u0420\u043e\u043c\u0430\u043d \u041a\u0430\u043b\u043b\u0430\u0441, \u041c\u0430\u0442\u0438 \u0423\u043d\u0442: \u0411\u0435\u0433\u0441\u0442\u0432\u043e \u043e\u0442 \u0440\u044b\u0436\u0435\u0433\u043e \u043a\u043e\u0442\u0430<\/strong>. \u2013 \u0420\u043e\u043c\u0430\u043d \u041a\u0430\u043b\u043b\u0430\u0441, \u042d\u0441\u0442\u043e\u043d\u0441\u043a\u0430\u044f \u043b\u0438\u0442\u0435\u0440\u0430\u0442\u0443\u0440\u0430: 20 \u0438\u043c\u0435\u043d \u043e\u0442 \u043a\u043b\u0430\u0441\u0441\u0438\u043a\u0438 \u0434\u043e \u0441\u043e\u0432\u0440\u0435\u043c\u0435\u043d\u043d\u043e\u0441\u0442\u0438: \u043d\u0430\u0447\u0430\u043b\u044c\u043d\u044b\u0439 \u043a\u0443\u0440\u0441 \u0434\u043b\u044f \u0448\u043a\u043e\u043b \u0441 \u0440\u0443\u0441\u0441\u043a\u0438\u043c \u044f\u0437\u044b\u043a\u043e\u043c \u043e\u0431\u0443\u0447\u0435\u043d\u0438\u044f. Viljandi: Sarapuu, 1997, pp 145-149. [See contents<\/a><\/strong> of the monograph.]<\/span><\/span>
\u00a0\n<\/p>\n

\n\tReviews<\/strong><\/span>\n<\/p>\n

\n\tEnglish<\/em><\/strong>
Paul Binding, Do you think I\u2019d let you go?<\/a><\/strong>. \u2013 Times Literary Supplement, <\/span>Dec 2, 2011. [About the the prose anthology \u2018The Dedalus Book of Estonian Literature\u2019 containing the novella \u2018An Empty Beach\u2019<\/span><\/span><\/span><\/span>.]
James Sallis, Art that baffles and exhilarates<\/strong>. \u2013 The Boston Globe, 8. I. 2006. [On the novel \u2018Things in the Night\u2019 (\u2018\u00d6\u00f6s on asju\u2019)]
Theo Schell-Lambert, Paper clips. Mati Unt\u2019s\u00a0Things in the Night<\/em>. <\/strong>\u2013 The Village Voice, 3.III. 2006.
Rutt Hinrikus, Janika Kronberg,\u00a0<\/span>Short Outlines of Books by Estonian Authors<\/strong><\/a>. \u2013 Estonian Literary Magazine, no 22, 2006. [About the play \u2018Vend Antigone, ema Oidipus\u2019 (\u2018Brother Antigone, Mother Oedipus\u2019).]
Jack Rueter, Miniature Universes Bumping into each other<\/strong>. \u2013 Estonia: Zeitschrift f\u00fcr estnische Literatur und Kultur, no 4, 1986, pp 33-34. [About \u2018The Autumn Ball\u2019, Tallinn 1985.]
Ilmar Mikiver,\u00a0Valitud teosed<\/cite><\/strong>\u00a0by Mati Unt<\/strong>. \u2013 World Literature Today, vol 60, no 3, 1986, pp 494-495.<\/span><\/span>
Ilmar Mikiver,\u00a0R\u00e4\u00e4givad<\/cite><\/strong>\u00a0by Mati Unt<\/strong>. \u2013 World Literature Today, vol 59, no 3, 1985, p 459.<\/span><\/span>
Ilmar Mikiver,\u00a0S\u00fcgisball<\/cite><\/strong>\u00a0by Mati Unt<\/strong>. \u2013 World Literature Today, vol 55, 1981, p 145.<\/span><\/span>
Maire J. Kurrik,\u00a0Must mootorrattur<\/cite><\/strong>\u00a0by Mati Unt<\/strong>. \u2013 World Literature Today, vol 51, no 2, 1977, p 308.<\/span><\/span><\/span>
Maie J. Kurrik, Via Regia<\/em> by Mati Unt<\/strong>. \u2013 Books Abroad, vol 50, no 2, 1976, p 441.
Hellar Grabbi,\u00a0Kuu nagu kustuv p\u00e4ike<\/cite><\/strong>\u00a0by Mati Unt<\/strong>. \u2013 Books Abroad, vol 47, no 1, 1973, p 195.
Mardi Valgem\u00e4e,\u00a0M\u00f5rv hotellis. Phaethon, p\u00e4ikese poeg<\/cite><\/strong>\u00a0by Mati Unt<\/strong>. \u2013 Books Abroad, vol 44, no 2, 1970, p 339.
Ivar Ivask,\u00a0H\u00fcvasti, kollane kass \/ V\u00f5lg<\/cite><\/strong>\u00a0by Mati Unt<\/strong>. \u2013 Books Abroad, vol 42, no 2, 1968, p 310.<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tFinnish<\/em><\/strong>
Hannu Oittinen, Dramaattista proosaa<\/strong>. \u2013 Estonia: Zeitschrift f\u00fcr estnische Literatur und Kultur, no 4, 1986, pp 30-32. [About \u2018Niin kerrotaan\u2019, Jyv\u00e4skyl\u00e4 1986, and \u2018Hyv\u00e4\u00e4 iltaa, rakkaat vainajat\u2019, Oulu 1986.]
Hannu Oittinen, The Naming of Cats<\/strong>. \u2013 Estonia: Zeitschrift f\u00fcr estnische Literatur und Kultur, no 3, 1985, pp 42-43. [About \u2018Kuunpimennys\u2019, Jyv\u00e4skyl\u00e4 1985.]<\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tGerman<\/em><\/strong>
Cornelius Hasselblatt,\u00a0Mati Unt: S\u00fcgisball<\/strong>. \u2013\u00a0Kindlers Literatur Lexikon 3, bd 16.\u00a0Stuttgart, Weimar: Verlag\u00a0J.B. Metzler, 2009, pp 567f.<\/span><\/span><\/span><\/span>
Bernd Gr\u00e4f, [About \u2018reden und schweigen\u2019 (\u2018R\u00e4\u00e4givad ja vaikivad\u2019)]<\/strong>. \u2013 Der Romanf\u00fchrer. Der Inhalt der Romane und Novellen der Weltliteratur. Band 34: Ost-, s\u00fcdost- und nordeurop\u00e4ische Erz\u00e4hlprosa aus den Jahren 1989 bis 1995. Herausgegeben von Bernd Gr\u00e4f. Stuttgart: Anton Hiersemann, 1999, pp 104-105.\u00a0<\/span><\/span><\/span><\/span>
Bernd Gr\u00e4f, [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019)]<\/strong>. \u2013 Der Romanf\u00fchrer. Der Inhalt der Romane und Novellen der Weltliteratur. Band 34: Ost-, s\u00fcdost- und nordeurop\u00e4ische Erz\u00e4hlprosa aus den Jahren 1989 bis 1995. Herausgegeben von Bernd Gr\u00e4f. Stuttgart: Anton Hiersemann, 1999, p 104.\u00a0<\/span><\/span><\/span><\/span>
Angela Pl\u00f6ger, Estlands Dichter<\/strong>. \u2013 Deutsches Allgemeines Sonntagsblatt, 4.3.1994. [About \u2018reden und schweigen\u2019 (\u2018R\u00e4\u00e4givad ja vaikivad\u2019).]<\/span><\/span><\/span><\/span>
Alex Diederich, \u201cReden und schweigen\u201d<\/strong>. \u2013 Die Warte (Luxemburg), no 14, 29.4.1993. [About \u2018reden und schweigen\u2019 (\u2018R\u00e4\u00e4givad ja vaikivad\u2019).]<\/span><\/span><\/span><\/span>
Beate Biehl, T\u00f6dliches Reden<\/strong>. \u2013 Estonia, no 1, 1993, pp 44-46. [About \u2018reden und schweigen\u2019 (\u2018R\u00e4\u00e4givad ja vaikivad\u2019).]
Cornelius Hasselblatt, <\/span><\/span>Mati Unt: S\u00fcgisball<\/strong>. \u2013 Kindlers Neues Literatur Lexikon, bd 16. M\u00fcnchen: Kindler, 1991, pp 945-946.
Cornelius Hasselblatt, <\/span>Ein ehrlicher Misanthrop?<\/strong> \u2013 Estonia, vol 6, no 3-4, 1990, pp <\/span>138-140. [About \u2018\u00d6\u00f6s on asju\u2019.]<\/span>
G.H., Streiflichter aus Mustam\u00e4e<\/strong>. \u2013 Norddeutsche Neueste Nachrichten (Rostock), 30.\/31.1.1988. [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019).]
Volker Pirsich, Estnischer Reigen<\/strong>. \u2013 Estonia, no 1, 1988, pp 40-43. [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019).]<\/span><\/span>
Kirsten Sturm, Fiktives Interview<\/strong>. \u2013 Die Union, no 13, 16.\/17.1.1988. [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019).]<\/span><\/span>
Birgit Galle, Hintergr\u00fcndig-gescheite Prosa<\/strong>. \u2013 Neues Deutschland, 20.\/21.2.1988. [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019).]<\/span><\/span>
Christina Brasche, Einspruch gefragt<\/strong>. \u2013 Sonntag, no 17, 24.4.1988. [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019).]<\/span><\/span>
Soja Krachmalnikowa, Mati Unt. \u201cLebwohl, rothaariger Kater\u201d<\/strong>. \u2013 Sowjetliteratur, no 8, 1967, pp 168-170. [About \u2018H\u00fcvasti, kollane kass\u2019.]<\/span><\/span>
[s. n.<\/em>], Literatouristik<\/strong>. \u2013 Eulenspiegel, no 48, 1987, p 7. [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019).]<\/span><\/span>
Erich Fetter, Fordernde Prosa<\/strong>. \u2013 National-Zeitung (Berlin), 26.10.1987. [About \u2018Herbstball\u2019 (\u2018S\u00fcgisball\u2019).]<\/span><\/span>
Cornelius Hasselblatt, Silber und Gold<\/strong>. \u2013 Estonia, vol 2, no 3, 1986, pp 24-29. [About \u2018R\u00e4\u00e4givad ja vaikivad\u2019.]<\/span>\n<\/p>\n

\n\tHungarian<\/em><\/strong>
Ambrus M\u00f3nika, Hallgat\u00e1s a l\u00e9nyegr\u0151l besz\u00e9d a hallgat\u00e1sr\u00f3l<\/strong>. Pluralica, no 1-2, 2009, pp 407-409. [About the story collection \u2018\u0150k besz\u00e9lnek, mi hallgatunk\u2019 (Szombathely: 2007).\u00a0<\/span>See\u00a0<\/span>contents<\/strong><\/a>\u00a0of the special issue of contemporary Estonian literature.]<\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Articles EnglishVirve Sarapik,\u00a0Autumn in a New Residential Area. \u2013 Interlitteraria,\u00a0vol 16, no 2, 2011, pp 502-519. [About the novel \u2018Autumn ball\u2019 (\u2018S\u00fcgisball\u2019) and the film version of it]Mihkel Mutt,\u00a0A live classic and an attraction for the young. Reflections on Mati …<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":2040,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-116","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=116"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/116\/revisions"}],"predecessor-version":[{"id":4974,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/116\/revisions\/4974"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/2040"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}