{"id":1129,"date":"2024-04-03T23:40:50","date_gmt":"2024-04-03T20:40:50","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/filimonov\/"},"modified":"2024-04-04T00:08:09","modified_gmt":"2024-04-03T21:08:09","slug":"filimonov","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/f\/filimonov\/","title":{"rendered":"\u041f.\u0418. \u0424\u0438\u043b\u0438\u043c\u043e\u043d\u043e\u0432 (P. I. Filimonov)"},"content":{"rendered":"

\n\tPoems<\/span><\/strong><\/a> <\/span><\/strong>\"P.<\/a><\/span>\n<\/p>\n

\n\tShort stories<\/span><\/strong><\/a>\n<\/p>\n

\n\tNon-fiction<\/span><\/strong><\/a>\n<\/p>\n

\n<\/p>

P.I. Filimonov <\/span>(given name Roman Fokin; b. 4. III 1975) is a Russian-Estonian poet and prose writer.<\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tHe was born and educated in Tallinn, studying English philology at the Tallinn Pedagogical University. He has worked as an English teacher. He is a member of the Estonian Writers\u2019 Union since 2011. <\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tP. I. Filimonov is one of the most remarkable Russian-language authors to emerge in Estonian literature since 2000, earning attention with his debut novel \u0417\u043e\u043d\u0430 \u043d\u0435\u0435\u0432\u043a\u043b\u0438\u0434\u043e\u0432\u043e\u0439 \u0433\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0438<\/i> (\u2018The Zone of Non-Euclidean Geometry\u2019, 2007, translated into Estonian in 2010), which is constructed on the basis of the mutual relations between the well-known \u2018little people\u2019 in Gogol\u2019s and Chekhov\u2019s works. The novel Thalassa! Thalassa! <\/i>(2013) casts a look at the world of religious sects; \u041f\u0435\u043b\u0430, \u043f\u043e\u043a\u0430 \u0432\u0441\u0451 \u043de \u0437\u0430\u043a\u043e\u043d\u0447\u0438\u043b\u043e\u0441\u044c<\/i> (\u2018She Sang Until It All Stopped\u2019, 2015, translated intto Estonian <\/i>in <\/span>2016) looks at the special world of Russian baba<\/i>s (old ladies) who are seen as peculiarly Russian. Olimp, who looks after her grandmother, becomes wrapped in the tales told by the grandmother in this novel and ends up in a time-warp in the Communist era. The world of Russian bohemians or fortune-hunters of the recent past is the subject of the novel Hariton Naganovi surm ja ajatus <\/i>(\u2018The Death and Timelessness of Hariton Naganov\u2019, 2017). <\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tCharacteristic of Filimonov are trickiness, (post-modernist) play with genres, unexpected turns, (self-) irony and absurdity. Also characteristic of his poetry are post-modernism, nods to Russian and world literature, the mixing of the contemporary and the traditional. Notable in the poetry collection V\u00e4\u00e4rastuste k\u00e4siraamat <\/i>(\u2018A Handbook of Freakery\u2019, 2011) are the abundant stylistic games and foreign vocabulary. <\/i> <\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tIn 2007 Filimonov was awarded the Russian-language author\u2019s prize of the Literature Endowment of Estonia for his poetry collection \u041c\u0430\u043d\u0442\u0440\u044b \u0442\u0440\u0435\u0442\u0435\u0433\u043e \u043f\u043e\u0440\u044f\u0434\u043a\u0430 <\/i>(\u2018Mantras of the Third Degree\u2019, 2007); he won a media stipend from the department of integration of the Ministry of Culture for the radio programme S\u00f5naline vitraa\u017e <\/i>(\u2018Verbal Mosaic\u2019, with Igor Kotjuh, 2012), and in 2020 the Friedebert Tuglas short story prize for the story Sebastian R\u00fc\u00fctli t\u00f5ehetk<\/i> (\u2018Sebastian R\u00fc\u00fctel\u2019s Moment of Truth\u2019, 2019).<\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tA. K. (Translated by C. M.)<\/i><\/span><\/span><\/span><\/span>\n<\/p>\n

\n<\/p>

Books in Russian<\/span><\/strong>\n<\/p>\n

\n\tNovels<\/em><\/strong>
\u0417\u043e\u043d\u0430 \u043d\u0435\u0435\u0432\u043a\u043b\u0438\u0434\u043e\u0432\u043e\u0439 \u0433\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0438: \u0440\u043e\u043c\u0430\u043d \u043e \u043c\u0430\u043d\u0438\u043f\u0443\u043b\u044f\u0446\u0438\u0438<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u0411\u0435\u0437\u0444\u0430\u0440\u043c\u0430\u0448\u0438\u043d\u043e\u0432; \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u0438\u0435 \u0441\u0435\u0440\u0438\u0438: \u041c\u0430\u0440\u0435\u043a \u0410\u043b\u043b\u0432\u0435\u044d. \u0422\u0430\u0440\u0442\u0443: Eesti Kirjanduse Selts: Tuulelohe \u2013 \u0412\u043e\u0437\u0434\u0443\u0448\u043d\u044b\u0439 \u0417\u043c\u0435\u0439, 2007, 108 \u0441\u0442\u0440.
\u041f\u0435\u043b\u0430, \u043f\u043e\u043a\u0430 \u0432\u0441\u0451 \u043d\u0435 \u0437\u0430\u043a\u043e\u043d\u0447\u0438\u043b\u043e\u0441\u044c<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u041e\u043b\u044c\u0433\u0430 \u0422\u0438\u0442\u043e\u0432\u0430; \u043e\u0431\u043b\u043e\u0436\u043a\u0430: \u0410\u043b\u0451\u043d\u0430 \u0413\u0438\u043d\u0435\u0439\u043a\u043e. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: Kite, 2015, 241 \u0441\u0442\u0440.\n<\/p>\n

\n\tPoems<\/em><\/strong>
\u041c\u0430\u043d\u0442\u0440\u044b \u0442\u0440\u0435\u0442\u044c\u0435\u0433\u043e \u043f\u043e\u0440\u044f\u0434\u043a\u0430<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u0411\u0435\u0437\u0444\u0430\u0440\u043c\u0430\u0448\u0438\u043d\u043e\u0432. \u0422\u0430\u0440\u0442\u0443: Eesti Kirjanduse Selts; Tuulelohe \u2013 \u0412\u043e\u0437\u0434\u0443\u0448\u043d\u044b\u0439 \u0437\u043c\u0435\u0439 (TVZ), 2007, 73 \u0441\u0442\u0440.
\u0411\u043e\u0433\u0438 \u0431\u0435\u0437\u0440\u044b\u0431\u044c\u044f<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u0430\u0440\u0430\u0435\u0432; \u0438\u043b\u043b\u044e\u0441\u0442\u0440\u0430\u0446\u0438\u0438: \u041a\u0440\u0438\u0441\u0442\u0438\u043d\u0430 \u0412\u0435\u0440\u0431\u0438\u0446\u043a\u0430\u044f; \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u043d\u0430 \u043e\u0431\u043b\u043e\u0436\u043a\u0435: \u0411\u0435\u0437\u0444\u0430\u0440\u043c\u0430\u0448\u0438\u043d\u043e\u0432. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: Miredita, 2009, 91 \u0441\u0442\u0440 + 1 CD (25 m 27 s).
\u041f\u043e\u0440\u043e\u0448\u043a\u043e\u0432\u044b\u0435 \u043e\u0433\u043d\u0435\u0442\u0443\u0448\u0438\u0442\u0435\u043b\u0438<\/strong>. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: Kite, 2018, 108 \u0441\u0442\u0440.
\u041d\u043e\u0447\u044c\u044e \u0432\u0441\u0435 \u043a\u043e\u0448\u043a\u0438<\/strong>. Paide: Kite, 2021, 100 \u0441\u0442\u0440.
\u00a0\n<\/p>\n

\n\tBooks in Estonian<\/b><\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tNovels<\/b><\/i>
Mitteeukleidilise geomeetria tsoon<\/b>: romaan manipulatsioonist. Tallinn: Kite, 2010, 158 lk.
Thalassa! Thalassa!<\/b>: romaan-imerohi. Tallinn: Varrak, 2013, 491 lk.
Laulis, kuni k\u00f5ik l\u00f5ppes<\/b>. Tallinn: Varrak, 2016, 310 lk.
Hariton Naganovi surm ja ajatus<\/b>: libabiograafia. Tallinn: Gallus, 2017, 296 lk.
As\u00fcnkroonujumine<\/b>: romaan-lahkuminek. Tallinn: Tuum, 2019, 333 lk.<\/span><\/span><\/span><\/span>
Pealtpanekud ja altminekud<\/strong>: katkueelse aja kroonikad. Vene keelest t\u00f5lkinud Veronika Einberg. Tallinn: EKSA, 2022, 286 lk.\n<\/p>\n

\n\tShort prose<\/b><\/i>
Nekroloogide kirjutamise oskus<\/b><\/span>: novellid. Tallinn: Kite, 2013, 213 lk.<\/span><\/span><\/span><\/span>\n<\/p>\n

\n\tPoetry
V\u00e4\u00e4rastuste k\u00e4siraamat<\/b>. Tallinn: Tuum, 2011, 96 lk.
P.I. Filimonov, Katrin V\u00e4li, Tselluloos<\/b>. Tallinn: Kite, 2015, 194 lk.
L\u00e4ti stjuardessid teavad saladust<\/b>. Tallinn: Eesti Keele Sihtasutus, 2019, 100 lk.<\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Poems Short stories Non-fiction P.I. Filimonov (given name Roman Fokin; b. 4. III 1975) is a Russian-Estonian poet and prose writer. He was born and educated in Tallinn, studying English philology at the Tallinn Pedagogical University. He has worked as …<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":578,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1129","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=1129"}],"version-history":[{"count":2,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1129\/revisions"}],"predecessor-version":[{"id":5136,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1129\/revisions\/5136"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/578"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=1129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}