{"id":1129,"date":"2024-04-03T23:40:50","date_gmt":"2024-04-03T20:40:50","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/filimonov\/"},"modified":"2026-09-02T18:01:53","modified_gmt":"2026-09-02T15:01:53","slug":"filimonov","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/f\/filimonov\/","title":{"rendered":"\u041f.\u0418. \u0424\u0438\u043b\u0438\u043c\u043e\u043d\u043e\u0432 (P. I. Filimonov)"},"content":{"rendered":"<p class=\"wp-block-paragraph\">\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/f\/filimonov\/poems\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Poems<\/span><\/strong><\/a><strong><span style=\"font-family: verdana, geneva;font-size: medium\"> <\/span><\/strong><span style=\"font-family: verdana, geneva;font-size: medium\"><a href=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/dd.jpg\" target=\"_self\" rel=\"noopener\"><img decoding=\"async\" alt=\"P. I. Filimonov\" class=\"\" src=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/dd.jpg\" style=\"float: right;width: 300px;height: 300px\" title=\"Photo: Diana Didyk\"><\/a><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/f\/filimonov\/stories\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Short stories<\/span><\/strong><\/a>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/f\/filimonov\/nonfiction\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Non-fiction<\/span><\/strong><\/a>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:108%\"><span style=\"font-weight:normal\">P.I. Filimonov <\/span>(given name Roman Fokin; b. 4. III 1975) is a Russian-Estonian poet and prose writer.<\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:108%\">He was born and educated in Tallinn, studying English philology at the Tallinn Pedagogical University. He has worked as an English teacher. He is a member of the Estonian Writers\u2019 Union since 2011. <\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:108%\">P. I. Filimonov is one of the most remarkable Russian-language authors to emerge in Estonian literature since 2000, earning attention with his debut novel <i>\u0417\u043e\u043d\u0430 \u043d\u0435\u0435\u0432\u043a\u043b\u0438\u0434\u043e\u0432\u043e\u0439 \u0433\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0438<\/i> (\u2018The Zone of Non-Euclidean Geometry\u2019, 2007, translated into Estonian in 2010), which is constructed on the basis of the mutual relations between the well-known \u2018little people\u2019 in Gogol\u2019s and Chekhov\u2019s works. The novel <i>Thalassa! Thalassa! <\/i>(2013) casts a look at the world of religious sects; <i>\u041f\u0435\u043b\u0430, \u043f\u043e\u043a\u0430 \u0432\u0441\u0451 \u043de \u0437\u0430\u043a\u043e\u043d\u0447\u0438\u043b\u043e\u0441\u044c<\/i> (\u2018She Sang Until It All Stopped\u2019, 2015, translated intto Estonian<i> <\/i><span style=\"font-style:normal\">in <\/span>2016) looks at the special world of Russian <i>baba<\/i>s (old ladies) who are seen as peculiarly Russian. Olimp, who looks after her grandmother, becomes wrapped in the tales told by the grandmother in this novel and ends up in a time-warp in the Communist era. The world of Russian bohemians or fortune-hunters of the recent past is the subject of the novel <i>Hariton Naganovi surm ja ajatus <\/i>(\u2018The Death and Timelessness of Hariton Naganov\u2019, 2017). <\/span><\/span><\/span><\/span>The novel <em>Alicante<\/em> (2022) examines the nature of humour. <em>Tants kontidel<\/em> (\u2018Dance on Bones\u2019, 2026) has been called intellectual crime novel: it takes a look at the scandals and intrigues of the Estonian-Russian literature scene. In the novel, students of the Tallinn Pedagogical University must find out who hides behind the pseudonym Astrov. The characters in the novel are based on real life.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:108%\">Characteristic of Filimonov are trickiness, (post-modernist) play with genres, unexpected turns, (self-) irony and absurdity. Also characteristic of his poetry are post-modernism, nods to Russian and world literature, the mixing of the contemporary and the traditional. Notable in the poetry collection <i>V\u00e4\u00e4rastuste k\u00e4siraamat <\/i>(\u2018A Handbook of Freakery\u2019, 2011) are the abundant stylistic games and foreign vocabulary. <i> <\/i> <\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:108%\">In 2007 Filimonov was awarded the Russian-language author\u2019s prize of the Literature Endowment of Estonia for his poetry collection <i>\u041c\u0430\u043d\u0442\u0440\u044b \u0442\u0440\u0435\u0442\u0435\u0433\u043e \u043f\u043e\u0440\u044f\u0434\u043a\u0430 <\/i>(\u2018Mantras of the Third Degree\u2019, 2007); he won a media stipend from the department of integration of the Ministry of Culture for the radio programme <i>S\u00f5naline vitraa\u017e <\/i>(\u2018Verbal Mosaic\u2019, with Igor Kotjuh, 2012), and in 2020 the Friedebert Tuglas short story prize for the story <i>Sebastian R\u00fc\u00fctli t\u00f5ehetk<\/i> (\u2018Sebastian R\u00fc\u00fctel\u2019s Moment of Truth\u2019, 2019).<\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:108%\"><i>A. K. (Translated by C. M.)<\/i><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><span style=\"font-size:16px\">Books in Russian<\/span><\/strong>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<strong><em>Novels<\/em><\/strong><br><strong>\u0417\u043e\u043d\u0430 \u043d\u0435\u0435\u0432\u043a\u043b\u0438\u0434\u043e\u0432\u043e\u0439 \u0433\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0438: \u0440\u043e\u043c\u0430\u043d \u043e \u043c\u0430\u043d\u0438\u043f\u0443\u043b\u044f\u0446\u0438\u0438<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u0411\u0435\u0437\u0444\u0430\u0440\u043c\u0430\u0448\u0438\u043d\u043e\u0432; \u0445\u0443\u0434\u043e\u0436\u0435\u0441\u0442\u0432\u0435\u043d\u043d\u043e\u0435 \u043e\u0444\u043e\u0440\u043c\u043b\u0435\u043d\u0438\u0435 \u0441\u0435\u0440\u0438\u0438: \u041c\u0430\u0440\u0435\u043a \u0410\u043b\u043b\u0432\u0435\u044d. \u0422\u0430\u0440\u0442\u0443: Eesti Kirjanduse Selts: Tuulelohe \u2013 \u0412\u043e\u0437\u0434\u0443\u0448\u043d\u044b\u0439 \u0417\u043c\u0435\u0439, 2007, 108 \u0441\u0442\u0440.<br><strong>\u041f\u0435\u043b\u0430, \u043f\u043e\u043a\u0430 \u0432\u0441\u0451 \u043d\u0435 \u0437\u0430\u043a\u043e\u043d\u0447\u0438\u043b\u043e\u0441\u044c<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u041e\u043b\u044c\u0433\u0430 \u0422\u0438\u0442\u043e\u0432\u0430; \u043e\u0431\u043b\u043e\u0436\u043a\u0430: \u0410\u043b\u0451\u043d\u0430 \u0413\u0438\u043d\u0435\u0439\u043a\u043e. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: Kite, 2015, 241 \u0441\u0442\u0440.\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<strong><em>Poems<\/em><\/strong><br><strong>\u041c\u0430\u043d\u0442\u0440\u044b \u0442\u0440\u0435\u0442\u044c\u0435\u0433\u043e \u043f\u043e\u0440\u044f\u0434\u043a\u0430<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u0411\u0435\u0437\u0444\u0430\u0440\u043c\u0430\u0448\u0438\u043d\u043e\u0432. \u0422\u0430\u0440\u0442\u0443: Eesti Kirjanduse Selts; Tuulelohe \u2013 \u0412\u043e\u0437\u0434\u0443\u0448\u043d\u044b\u0439 \u0437\u043c\u0435\u0439 (TVZ), 2007, 73 \u0441\u0442\u0440.<br><strong>\u0411\u043e\u0433\u0438 \u0431\u0435\u0437\u0440\u044b\u0431\u044c\u044f<\/strong>. P\u0435\u0434\u0430\u043a\u0442\u043e\u0440 \u041d\u0438\u043a\u043e\u043b\u0430\u0439 \u041a\u0430\u0440\u0430\u0435\u0432; \u0438\u043b\u043b\u044e\u0441\u0442\u0440\u0430\u0446\u0438\u0438: \u041a\u0440\u0438\u0441\u0442\u0438\u043d\u0430 \u0412\u0435\u0440\u0431\u0438\u0446\u043a\u0430\u044f; \u0444\u043e\u0442\u043e\u0433\u0440\u0430\u0444\u0438\u044f \u043d\u0430 \u043e\u0431\u043b\u043e\u0436\u043a\u0435: \u0411\u0435\u0437\u0444\u0430\u0440\u043c\u0430\u0448\u0438\u043d\u043e\u0432. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: Miredita, 2009, 91 \u0441\u0442\u0440 + 1 CD (25 m 27 s).<br><strong>\u041f\u043e\u0440\u043e\u0448\u043a\u043e\u0432\u044b\u0435 \u043e\u0433\u043d\u0435\u0442\u0443\u0448\u0438\u0442\u0435\u043b\u0438<\/strong>. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: Kite, 2018, 108 \u0441\u0442\u0440.<br><strong>\u041d\u043e\u0447\u044c\u044e \u0432\u0441\u0435 \u043a\u043e\u0448\u043a\u0438<\/strong>. Paide: Kite, 2021, 100 \u0441\u0442\u0440.<br>\u00a0\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n\t<span style=\"color:#000000\"><span style=\"font-size:16px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><b>Books in Estonian<\/b><\/span><\/span><\/span><\/span>\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><i><b>Novels<\/b><\/i><br><b>Mitteeukleidilise geomeetria tsoon<\/b>: romaan manipulatsioonist. Tallinn: Kite, 2010, 158 lk.<br><b>Thalassa! Thalassa!<\/b>: romaan-imerohi. Tallinn: Varrak, 2013, 491 lk.<br><b>Laulis, kuni k\u00f5ik l\u00f5ppes<\/b>. Tallinn: Varrak, 2016, 310 lk.<br><b>Hariton Naganovi surm ja ajatus<\/b>: libabiograafia. Tallinn: Gallus, 2017, 296 lk.<br><b>As\u00fcnkroonujumine<\/b>: romaan-lahkuminek. Tallinn: Tuum, 2019, 333 lk.<\/span><\/span><\/span><\/span><br><strong>Pealtpanekud ja altminekud<\/strong>: katkueelse aja kroonikad. Vene keelest t\u00f5lkinud Veronika Einberg. Tallinn: EKSA, 2022, 286 lk.<br><strong>Alicante<\/strong>. T\u00f5lkinud Ingrid Velbaum-Staub. Tallinn: Tuum, 2024, 271 lk.<br><strong>Tants kontidel<\/strong> : intellektuaalne p\u00f5nevik. T\u00f5lkinud Veronika Einberg. Tallinn: Eesti Raamat, 2026, 266 lk.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><i><b>Short prose<\/b><\/i><br><span style=\"font-style:normal\"><b>Nekroloogide kirjutamise oskus<\/b><\/span>: novellid. Tallinn: Kite, 2013, 213 lk.<\/span><\/span><\/span><\/span><br><strong>K\u00f5ik, mis me teame L\u00f5una-Ameerikast<\/strong>: novellid. T\u00f5lked: Veronika Einberg, Ingrid Vellbaum-Staub. Tallinn: Tuum, 2025, 127 lk.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><span style=\"color:#000000\"><span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><span style=\"line-height:150%\"><b>Poetry<br>V\u00e4\u00e4rastuste k\u00e4siraamat<\/b>. Tallinn: Tuum, 2011, 96 lk.<br>P.I. Filimonov, Katrin V\u00e4li, <b>Tselluloos<\/b>. Tallinn: Kite, 2015, 194 lk.<br><b>L\u00e4ti stjuardessid teavad saladust<\/b>. Tallinn: Eesti Keele Sihtasutus, 2019, 100 lk.<\/span><\/span><\/span><\/span><br><strong>Sinu siluett akna taustal<\/strong>. T\u00f5lkinud Katrin V\u00e4li. Tallinn: EKSA, 2025, 85 lk.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poems Short stories Non-fiction P.I. Filimonov (given name Roman Fokin; b. 4. III 1975) is a Russian-Estonian poet and prose writer. He was born and educated in Tallinn, studying English philology at the Tallinn Pedagogical University. He has worked as &#8230;<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":578,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1129","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=1129"}],"version-history":[{"count":3,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1129\/revisions"}],"predecessor-version":[{"id":11758,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1129\/revisions\/11758"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/578"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=1129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}