\n<\/p>
Pavel Varunin <\/span>(\u041f\u0430\u0432\u0435\u043b \u0412\u0430\u0440\u0443\u043d\u0438\u043d, b. 12. V 1961) is an Estonian-Russian author and artist from the Old Believers\u2019 tradition, who has made a name for himself primarily as the illustrator of many books, as a master of the icon and the lubok<\/i>, and as a representative of Estonian-Russian children\u2019s literature. <\/span><\/span><\/span><\/span>\n<\/p>\n \n\tVarunin was born in Tartu into a family of Old Believers from the shores of Lake Peipsi. At the age of 14 he started learning engraving in Tartu with the master Elmar Allekande. From 1982 to 1986 he studied at the Moscow national university of art by distance learning, graduating as an artist-engraver. In 1978 he began working as an engraver at the Tartu Instrument Factory; from 1991 to 1997 he was a cabinetmaker and wood carver at the company Tartu J\u00f5esadam (Tartu River Harbour). Since 1998 he has been making wooden icons for Old Believers\u2019 chapels. Varunin has been working as an illustrator of books and calendars since 2004, mainly practising the archaic lubok <\/i>technique. Since 2012 he has been making wood-cut printing blocks, being the only traditional operator in that field in Estonia. Since 1998 he has been the chairman of the board of the Estonian Association of Old Believer Congregations and of the Estonian Association for Old Believers\u2019 Culture and Development. <\/span><\/span><\/span><\/span>\n<\/p>\n \n\tVarunin is a children\u2019s author whose own books in Russian have been translated into Estonian. In his first book addressed to children, \u0420\u043e\u0434\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e \u0434\u0435\u0442\u0435\u0439 \u0441\u0442\u0430\u0440\u043e\u0432\u0435\u0440\u043e\u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438<\/i> (\u2018Home Instruction for the Children of Old Believers in Estonia\u2019, 2010) he introduces the folk traditions of the Old Believers on the shores of Lake Peipsi and the history of their church. In the book \u041b\u0435\u0441\u0435\u043d\u043a\u0430 \u0434\u043e\u0431\u0440\u043e\u0434\u0435\u0442\u0435\u043b\u0438 <\/i>(\u2018The Set of Virtues\u2019, 2015) he looks at the religious customs and habits of the Old Believers. In the book \u0421\u043b\u0430\u0432\u043a\u0430 \u0438 \u0441\u0442\u0440\u0430\u043d\u0430 \u0414\u0440\u0435\u0432\u043b\u0435\u0441\u043b\u043e\u0432\u0438\u044f<\/i> (\u2018Slavka and the Land of the Old Language\u2019, 2018), which won the award for a Russian-language author from the Cultural Endowment of Estonia, explains the development of Old Church Slavonic writing in the form of an adventure story.<\/span><\/span><\/span><\/span>\n<\/p>\n \n\tVarunin\u2019s best-known work is the trilogy of R\u00e4\u00e4bu stories, which has also appeared in Estonian in a translation by Peeter Volkonski. In the first book in the series, \u0420\u044f\u043f\u0443\u0448\u0430. \u041f\u0440\u0438\u0447\u0443\u0434\u0441\u043a\u0430\u044f \u0441\u043a\u0430\u0437\u043a\u0430 \u0441 \u043f\u0440\u0438\u0447\u0443\u0434\u0430\u043c\u0438<\/i> (\u2018R\u00e4\u00e4bu. A Twist in the Tale from the Peipsi Shores\u2019, 2012, in Estonian 2014), the Peipsi region in summer and the culture of the Old Believers are introduced; in the second, \u0420\u044f\u043f\u0443\u0448\u0430 \u0438 \u0431\u0435\u043b\u043e\u0435 \u041f\u0440\u0438\u0447\u0443\u0434\u044c\u0435 <\/i>(\u2018R\u00e4\u00e4bu and the White Land of Peipsi\u2019, 2014, in Estonian 2015) the stories tell of the white, or wintry, Peipsi shores; in the third book, \u0420\u044f\u043f\u0443\u0448\u0430 \u0438 \u0427\u0443\u0433\u0443\u043d\u043d\u0430\u044f \u0413\u043e\u043b\u043e\u0432\u0430 <\/i>(\u2018R\u00e4\u00e4bu and the Cast-iron Head\u2019, 2020, in Estonian 2021), the series has reached the spring, when the Peipsi land bursts into greenery. All of these literary fairy-tales are unified by the anthropomorphic image of R\u00e4\u00e4bu the Wanderer, an enterprising, wily, cycle-pedalling fish, through whose adventures the whole cycle of life around Peipsi is shown in its entirety. For Russian-speaking children in the Peipsi area R\u00e4\u00e4bu is as well-known a hero as Andrus Kivir\u00e4hk\u2019s Lotte is to the rest of Estonia.<\/span><\/span><\/span><\/span>\n<\/p>\n \n\tA. O. (Translated by C. M.)<\/i><\/span><\/span><\/span><\/span><\/p>\n \u00a0\n<\/p>\n \n\tBooks in Russian<\/b><\/span><\/span><\/span><\/span>\n<\/p>\n \n\t\u0420\u043e\u0434\u043d\u043e\u0435 \u0441\u043b\u043e\u0432\u043e \u0434\u0435\u0442\u0435\u0439 \u0441\u0442\u0430\u0440\u043e\u0432\u0435\u0440\u043e\u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438<\/b>. \u0422\u0430\u0440\u0442\u0443: \u041e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \u0438 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u0441\u0442\u0430\u0440\u043e\u0432\u0435\u0440\u043e\u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438, 2010, 173 \u0441\u0442. \n\t \n\tR\u00e4\u00e4bu. Peipsiveere muinasjutuveeretus<\/b>. MT\u00dc Piiri Peal, 2013, 100 lk. [\u2018\u0420\u044f\u043f\u0443\u0448\u0430. \u041f\u0440\u0438\u0447\u0443\u0434\u0441\u043a\u0430\u044f \u0441\u043a\u0430\u0437\u043a\u0430 \u0441 \u043f\u0440\u0438\u0447\u0443\u0434\u0430\u043c\u0438\u2019.] <\/span> Pavel Varunin (\u041f\u0430\u0432\u0435\u043b \u0412\u0430\u0440\u0443\u043d\u0438\u043d, b. 12. V 1961) is an Estonian-Russian author and artist from the Old Believers\u2019 tradition, who has made a name for himself primarily as the illustrator of many books, as a master of the icon and …<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":733,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1123","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=1123"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1123\/revisions"}],"predecessor-version":[{"id":3952,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1123\/revisions\/3952"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/733"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=1123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u0420\u044f\u043f\u0443\u0448\u0430. \u041f\u0440\u0438\u0447\u0443\u0434\u0441\u043a\u0430\u044f \u0441\u043a\u0430\u0437\u043a\u0430 \u0441 \u043f\u0440\u0438\u0447\u0443\u0434\u0430\u043c\u0438<\/b>. \u0422\u0430\u043b\u043b\u0438\u043d\u043d: Valgus 2012, 78 \u0441\u0442.
\u0420\u044f\u043f\u0443\u0448\u0430 \u0438 \u0411\u0435\u043b\u043e\u0435 \u041f\u0440\u0438\u0447\u0443\u0434\u044c\u0435<\/b>. Ta\u0440\u0442\u0443: \u0422\u0430\u043e\u0441, 2014, 75 \u0441\u0442.
\u041b\u0435\u0441\u0435\u043d\u043a\u0430 \u0434\u043e\u0431\u0440\u043e\u0434\u0435\u0442\u0435\u043b\u0438<\/b>. \u0422\u0430\u0440\u0442\u0443: \u0422\u0430\u043e\u0441, 2015, 95 \u0441\u0442.
\u041b\u0443\u043a\u043e\u0432\u043e\u0434\u044c\u0435: \u0432\u0437\u0430\u0431\u044b\u043b\u0438\u0448\u043d\u044b\u0435 \u0431\u0430\u0439\u043a\u0438<\/b>. \u0422\u0430\u0440\u0442\u0443: \u0422\u0430\u043e\u0441, 2016, 79 \u0441\u0442.
\u0421\u043b\u0430\u0432\u043a\u0430 \u0438 \u0441\u0442\u0440\u0430\u043d\u0430 \u0414\u0440\u0435\u0432\u043b\u0435\u0441\u043b\u043e\u0432\u0438\u044f.<\/b> \u0422\u0430\u0440\u0442\u0443 : \u041e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \u0438 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u0441\u0442\u0430\u0440\u043e\u0432\u0435\u0440\u043e\u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438, 2018, 191 \u0441\u0442.
\u0420\u0435\u043c\u0435\u0441\u043b\u0430 \u0438 \u043f\u0440\u043e\u043c\u044b\u0441\u043b\u044b \u0441\u0442\u0430\u0440\u043e\u0432\u0435\u0440\u043e\u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438<\/b>. \u0422\u0430\u0440\u0442\u0443 : \u041e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \u0438 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u0441\u0442\u0430\u0440\u043e\u0432\u0435\u0440\u043e\u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438, 2019, 51 \u0441\u0442.
\u0420\u044f\u043f\u0443\u0448\u0430 \u0438 \u0427\u0443\u0433\u0443\u043d\u043d\u0430\u044f \u0413\u043e\u043b\u043e\u0432\u0430<\/b>. \u0422\u0430\u0440\u0442\u0443: \u041e\u0431\u0449\u0435\u0441\u0442\u0432\u043e \u043a\u0443\u043b\u044c\u0442\u0443\u0440\u044b \u0438 \u0440\u0430\u0437\u0432\u0438\u0442\u0438\u044f \u0441\u0442\u0430\u0440\u043e\u0432\u0435\u0440\u043e\u0432 \u042d\u0441\u0442\u043e\u043d\u0438\u0438, 2020, 76 \u0441\u0442.<\/span><\/span><\/span><\/span>\n<\/p>\n
Children\u2019s books translated into Estonian<\/b><\/span><\/span><\/span><\/span>\n<\/p>\n
R\u00e4\u00e4bu ja valge Peipsimaa<\/b>. MT\u00dc Piiri Peal, 2015, 80 lk. [\u2018\u0420\u044f\u043f\u0443\u0448\u0430 \u0438 \u0411\u0435\u043b\u043e\u0435 \u041f\u0440\u0438\u0447\u0443\u0434\u044c\u0435\u2019<\/span>.]
R\u00e4\u00e4bu ja Malmpea<\/b>. MT\u00dc Eesti Vanausuliste Kultuuri- ja Arendus\u00fching<\/span>, 2021, 78 lk. [\u2018\u0420\u044f\u043f\u0443\u0448\u0430 \u0438 \u0427\u0443\u0433\u0443\u043d\u043d\u0430\u044f \u0413\u043e\u043b\u043e\u0432\u0430\u2019<\/span>.]<\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"