{"id":1111,"date":"2024-04-03T23:40:49","date_gmt":"2024-04-03T20:40:49","guid":{"rendered":"https:\/\/sisu.ut.ee\/ewod\/metsanurk\/"},"modified":"2024-04-04T00:08:10","modified_gmt":"2024-04-03T21:08:10","slug":"metsanurk","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/ewod\/m\/metsanurk\/","title":{"rendered":"Mait Metsanurk"},"content":{"rendered":"<p>\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/m\/metsanurk\/novels\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Novels<\/span><\/strong><\/a><a href=\"https:\/\/sisu.ut.ee\/wp-content\/uploads\/sites\/108\/metsanurk_mait.jpg\"><span style=\"font-family: verdana, geneva;font-size: medium\"><img loading=\"lazy\" decoding=\"async\" alt=\"Mait Metsanurk. Photo: J. &amp; P. Parikas\" src=\"\/wp-content\/uploads\/sites\/108\/metsanurk_mait.jpg\" style=\"float: right\" title=\"Photo by J. &amp; P. Parikas\" width=\"200\" height=\"320\"><\/span><\/a>\n<\/p>\n<p>\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/m\/metsanurk\/stories\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Short stories<\/span><\/strong><\/a>\n<\/p>\n<p>\n\t<a href=\"https:\/\/sisu.ut.ee\/ewod\/m\/metsanurk\/plays\"><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Plays<\/span><\/strong><\/a>\n<\/p>\n<p>\n\t\u00a0\n<\/p>\n<p><span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\">Mait Metsanurk (real name Eduard Hubel; 19.\/7. XI 1879 \u2013 21. VIII 1957) was a fiction writer, playwright and critic, who broadened the concept of social and historical novels in Estonia.<\/span><\/span><\/p>\n<p><span style=\"font-family: verdana, geneva;font-size: medium\"><span style=\"font-size: small\">He was born the son of a farmer in Metsanuka village, K\u00e4rkna Parish, Tartu County. He studied in Orge village school, from 1895\u20131900 in Tartu county school, where he graduated a one-year pedagogy course. From 1902\u20131904, he worked as an administrative office worker, teacher and educator. From 1906, he worked as a journalist in Tallinn for <em>Virulane<\/em>, later for <em>Tallinna Teataja<\/em>. From 1917\u20131920, he worked as the editor in chief for <em>Tallinna Teataja<\/em> and from 1923\u20131924, for the magazine <em>Agu<\/em>. He was a leading member of the literature branch of the Estonian Non-formal\u00a0 Education Society. As a professional writer, he lived in Tallinn and was one of the initiators of the founding of the Estonian Writers\u2019 Union and from 1920\u20131930, served as its chairman on several occasions. He became the honorary member of the Estonian Literary Society in 1932. He joined the left-wing and realist literary movement <em>Kirjanduslik Orbiit<\/em> (Literary Orbit) and from 1935\u20131937, worked as the culture editor of the newspaper <em>Uus Eesti<\/em>. From 1935\u20131936, he was the chairman of the Estonian Book Year committee; from 1938\u20131940, the chairman of the literature endowment of the Cultural Endowment of Estonia; and from 1939\u20131940, the chairman of the Tallinn Writers\u2019 Society. In 1920, he traveled to Soviet Russia, next year to Germany and in 1928, he visited France. He was a freemason. In 1950, he fell out of favor in Soviet Estonia and was expelled from the Writers\u2019 Union, after which he worked as a night watchman in Tallinn. He is buried in Metsakalmistu cemetery in Tallinn. A memorial plaque for him is on Wismari St 10 in Tallinn and a memorial stone in his birthplace.<\/span><\/span><\/p>\n<p><span style=\"font-size: small\">In 1904, he started publishing short stories. He was interested in moral self-actualization, personal and social responsibility. He was moving towards critical realism, slowly becoming increasingly pessimistic, his influences coming from classic Russian literature, particularly L. Tolstoy. His first humorous stories were published in the collection <em>Jumalalapsed<\/em> (\u2018Children of God\u2019, 1910). He analyzed the devastating effects of the petite bourgeoisie in the story <em>Isamaa \u00f5ilmed<\/em> (The Blossoms of Fatherland, 1910). The novel <em>Vahesaare Villem<\/em> (\u2018Villem from Vahesaare\u2019, 1909) had naturalist undertones and depicted a young farmer\u2019s fight over his indebted homestead. The short novel <em>Orjad<\/em> (\u2018Slaves\u2019, 1912) scolded the lack of principles in journalists; he returns to the same topic in the short story <em>Epp<\/em> (1919). The almost impressionistic story <em>Toho-oja Anton<\/em> (\u2018Anton of Toho-oja\u2019, 1915) centered on elevated self-esteem, while the psychological novel <em>Enn\u00e4e inimest!<\/em> (\u2018Behold man!\u2019, 1918) depicted the spiritual crisis of a businessman. The novel <em>Taavet Soovere elu ja surm<\/em> (\u2018Life and Death of Taavet Soovere\u2019, 1922) described the tragicomedy of a sheltered dreamer and world improver.<\/span><\/p>\n<p><span style=\"font-size: small\">The theater Estonia opened as a professional institution in 1906 with a staging of the play <em>P\u00e4ikese t\u00f5usul<\/em> (\u2018Upon Sunrise\u2019, manuscript lost) by Metsanurk. He also wrote the one act comedy <em>Uues korteris<\/em> (\u2018In the New Apartment\u2019, 1908) and the dark comedy <em>Vagade elu<\/em> (\u2018Life of the Pious\u2019, 1907\/1924) that exposed the hypocrisy of the bigots. The play <em>P\u00f5hjamaa<\/em> (\u2018North Country\u2019, 1915) was not staged because of protest from the bourgeois. The focal point of his dramas became the conflict between the red (socialists, bolsheviks) and the white faction (bourgeois, nationalists) that oftentimes pierces the family as well. Much like the protagonist of the story <em>Jumalata<\/em> (\u2018Godless\u2019, 1921) who struggles to find an idea to die for in the midst of fighting, the protagonist of <em>Kindrali poeg<\/em> (\u2018Son of a General\u2019, 1925) is also torn between revolution and the Bible \u2013 the latter play was prohibited in Vanemuine after the opening night due to the prototype being too recognizable. <em>J\u00e4ljetu haud<\/em> (\u2018Unmarked Grave\u2019, 1926) that is a diary of an underground revolutionary, idealist and martyr struggling with internal conflict, also caused great controversy.<\/span><\/p>\n<p><span style=\"font-size: small\">Metsanurk has approached expressionism, most notably in the story <em>Algus<\/em> (\u2018The Beginning\u2019, 1924) that announced the doom of a world built on social injustice. The same themes are explored in the realist novel dilogy <em>Valge pilv<\/em> (\u2018White Cloud\u2019, 1925) and <em>Punane tuul<\/em> (\u2018Red Wind\u2019, 1928) that depict a village society during the dangerous time of revolutions, German occupation and the Independence War. In several of his works he criticizes status seekers and hedonism and praises honest work, he often presents cutting social issues. His most popular work became the historical novel <em>\u00dcmera j\u00f5el<\/em> (\u2018On River \u00dcmera\u2019, 1934) that tried to realistically depict Estonian society during the ancient fight for independence and in the XIII century. In Soviet Estonia, the novel became compulsory school reading for many decades. His other historical novel <em>Tuli tuha all<\/em> (\u2018Fire under the Ashes\u2019, 1939) tells the story of a famine at the end of the 17th century. In the novel <em>Soosaare<\/em> (1936) he autobiographically describes the hard country life in the last decades of the 19th century, yet also its creative aspects. <em>Kutsutud ja seatud<\/em> (\u2018Called and Initiated\u2019, 1937) comes in the form of a pastor\u2019s diary, which tells of his life crisis.<\/span><\/p>\n<p><span style=\"font-size: small\">In 1940, the first year of Soviet occupation, Metsanurk published the story <em>Vennad<\/em> (\u2018Brothers\u2019). He continued writing under German occupation and under the pen name Endel Paluteder, he published the story <em>Kalmud metsas<\/em> (\u2018Graves in the Forest\u2019, 1942) which describes score-settling in a village. The story <em>Dora Praats<\/em> (1943) gives a satirical description of a female status seeker under the Soviet regime and <em>Kuldav\u00e4\u00e4rt poeg<\/em> (\u2018Precious Son\u2019, 1944) tells of country life. His attempt at imitating socialist realism in his village romance <em>Suvine p\u00f6\u00f6rip\u00e4ev<\/em> (\u2018Summer Solstice\u2019, 1957) failed, despite several later attempts at editing it. He began writing his memoir as well but only managed to finish <em>Tee algul<\/em> (\u2018Start of the Road\u2019, 1946) that focuses on his younger years. The second part remained unfinished and was published in 2005 as <em>Koolipoisist kirjanikuks<\/em> (\u2018From Schoolboy to Writer\u2019).<\/span><\/p>\n<p><span style=\"font-size: small\"><em>Valitud teosed<\/em> I\u2013V (\u2018Selected Works\u2019 I\u2013V, 1957\u20131980) represents the main body of his works. He had to rework several of his writings for them to be suitable for publishing under the Soviet occupation. In 2005, the story collection <em>Kreeps<\/em> (\u2018Shock\u2019) was published. To this day, his numerous works of literary criticism remain uncollected. Metsanurk\u2019s works have been translated into four languages, he himself has translated the works of U. Sinclair (1912), S. Sergeyev-Tsensky (1941\u20131948) and M. Gorky (1950).<\/span>\n<\/p>\n<p>\n\t<span style=\"font-family: verdana, geneva;font-size: medium\"><em><span style=\"font-size: small\">A. M. (Translated by A. S.)<\/span><\/em><\/span><\/p>\n<p><strong><span style=\"font-family: verdana, geneva;font-size: medium\">Books in Estonian<\/span><\/strong>\n<\/p>\n<p>\n\t<span style=\"font-size: small\"><span style=\"font-family: verdana, geneva\"><strong><em>Novels<\/em><\/strong><br><strong>Wahesaare Willem<\/strong>. Tallinn: Teadus, 1909, 231 lk.<br>[J\u00e4rgnevad tr\u00fckid:<br>Tallinn: Maa, 1921, 202 lk;<br>\u2018Valitud teosed\u2019, 1. k\u00f6ide, Tallinn: Eesti Riiklik Kirjastus, 1957, 563 lk.]<br><strong>Orjad<\/strong>. Tallinn: Maa, 1912, 200 lk.<br>[J\u00e4rgnevad tr\u00fckid:<br>Tartu: Noor-Eesti, 1925, 102 lk;<br>\u2018Valitud teosed\u2019, 3. k\u00f6ide, Tallinn: Eesti Riiklik Kirjastus, 1959, 473 lk.]<br><strong>Enn\u00e4e inimest!<\/strong>. Tallinn: Maa, 1918, 277 lk.<br>[J\u00e4rgnevad tr\u00fckid: Tartu: Noor-Eesti, 1929, 332 lk;<br>\u2018Valitud teosed\u2019, 1. k\u00f6ide, Tallinn: Eesti Riiklik Kirjastus, 1957, 563 lk.]<br><strong>Taawet Soowere elu ja surm<\/strong>. Tallinn: Tallinna Eesti Kirjastus-\u00dchisus, 1922, 175 lk.<br>[J\u00e4rgnevad tr\u00fckid:<br>Tartu: Eesti Kirjastuse Kooperatiiv, 1935, 194 lk;<br>\u2018Valitud teosed\u2019, 1. k\u00f6ide, Tallinn: Eesti Riiklik Kirjastus, 1957, 563 lk.]<br><strong>Valge pilv<\/strong>. Tartu: Noor-Eesti, 1930, 287 lk. [\u2018Kogutud teosed\u2019, 7. k\u00f6ide. 2. tr\u00fckk: \u2018Valitud teosed\u2019, 2. k\u00f6ide, Tallinn: Eesti Riiklik Kirjastus, 1958, 644 lk.]<br><strong>J\u00e4ljetu haud<\/strong>. Tartu: Noor-Eesti, 1926, 261 lk. [2. tr\u00fckk: Tallinn: Eesti Raamat, 1998, 247 lk.]<br><strong>Punane tuul<\/strong>. Tartu: Noor-Eesti, 1928, 667 lk.<br>[J\u00e4rgnevad tr\u00fckid:<br>Tallinn: Eesti Riiklik Kirjastus, 1955, 432 lk;<br>\u2018Valitud teosed\u2019, 2. k\u00f6ide, Tallinn: Eesti Riiklik Kirjastus, 1958, 644 lk;<br>Tallinn: Eesti Raamat, 1970, 384 lk.]<br><strong>Fr. Arraste &amp; Pojad<\/strong>. Tartu: Noor-Eesti, 1930, 414 lk.<br><strong>\u00dcmera j\u00f5el: ajalooline romaan<\/strong>. Tartu: Noor-Eesti, 1934, 412 lk.<br>[J\u00e4rgnevad tr\u00fckid:<br>Tartu: Eesti Kirjastuse Kooperatiiv, 1935, 415 lk;<br>Tartu: Noor-Eesti, 1937, 366 lk (l\u00fchendatud tr\u00fckk);<br>Geislingen: Kultuur, 1949, 428 lk;<br>Tallinn: Eesti Riiklik Kirjastus, 1956, 294 lk;<br>Tallinn: Eesti Riiklik Kirjastus, 1961, 332 lk;<br>Tallinn: Eesti Raamat, 1974, 272 lk;<br>\u2018Valitud teosed\u2019, 5. k\u00f6ide, Tallinn: Eesti Raamat, 1980, 648 lk.<br>Tallinn: Eesti Raamat, 1986, 261 lk;<br>Tallinn: Ilo, 2005, 262 lk;<br>Tallinn: Eesti P\u00e4evaleht; Akadeemia, 2008, 351 lk.]<br><strong>Soosaare<\/strong>. Tartu: Noor-Eesti, 1936, 469 lk. [2. tr\u00fckk: \u2018Valitud teosed\u2019, 4. k\u00f6ide, Tallinn: Eesti Raamat, 1969, 600 lk.]<br><strong>Kutsutud ja seatud: \u00fche hingekarjase p\u00e4evik<\/strong>. Tartu: Noor-Eesti, 1937, 351 lk.<br>[J\u00e4rgnevad tr\u00fckid:<br>Tartu: Noor-Eesti, 1938, 388 lk;<br>Valitud teosed, 4. k\u00f6ide, Tallinn: Eesti Raamat, 1969, 600 lk;<br>Toronto: Orto, 1969, 270 lk;<br><strong>Tuli tuha all: ajalooline romaan Suure n\u00e4lja ajast 1695-1697<\/strong>. Tartu: Noor-Eesti, 1939, 468 lk.<br>[J\u00e4rgnevad tr\u00fckid:<br>\u2018Valitud teosed\u2019, 5. k\u00f6ide, Tallinn: Eesti Raamat, 1980, 648 lk.<br>Tallinn: Eesti P\u00e4evaleht; Akadeemia, 2008, 381 lk.<br><strong>Suvine p\u00f6\u00f6rip\u00e4ev<\/strong>. Tallinn: Eesti Riiklik Kirjastus, 1957, 465 lk.<\/span><\/span>\n<\/p>\n<p>\n\t<span style=\"font-size: small\"><span style=\"font-family: verdana, geneva\"><strong><em>Short stories and novellas<\/em><\/strong><br><strong>Isamaa \u00f5ilmed<\/strong>. Tallinn: J. Ploompuu, 1908, 137 lk.<br><strong>Jumalalapsed: Nowelletid<\/strong>. Tallinn: J. Lepp, 1910, 162 lk. [Sisu: \u2018Jumalakartlik\u2019, \u2018P\u00fchade r\u00f5\u00f5m\u2019, \u2018Poeg\u2019, \u2018Maajagamine\u2019, \u2018Kuuwalgel\u2019, \u2018Kiwa kaalumas\u2019, \u2018P\u00fchade l\u00f5pp\u2019, \u2018Laenamas\u2019, \u2018Pidul\u2019, \u2018\u00d5petaja-herra unen\u00e4gu\u2019, \u2018Warane kewade\u2019, \u2018Kunstnik\u2019, \u2018P\u00e4ikese kiir\u2019.]<br><strong>Toho-oja Anton<\/strong>. Tallinn: Maa, 1916, 64 lk.<br><strong>Epp: nowell<\/strong>. Tartu: Odamees, 1920, 47 lk.<br><strong>Jumalata<\/strong>. Tallinn: Varrak, 1921, 84 lk.<br><strong>Viimne p\u00e4ev: novellid<\/strong>. Tallinn: Eesti Kirjanikkude Liit, 1927, 180 lk. [Sisu: \u2018Viimne p\u00e4ev\u2019, \u2018Jalutu\u2019, \u2018Ajakirjaniku suurp\u00e4ev\u2019, \u2018Pyramus ja Thisbe\u2019, \u2018Proua Dagmari eelm\u00e4ng\u2019, \u2018Mistarvis\u2019, \u2018L\u00e4bi tule\u2019, \u2018Rahu ja \u00fcksmeel\u2019, \u2018Peremees ja sulane\u2019, \u2018Algus\u2019.]<br><strong>Kogutud teosed. 1. k\u00f6ide. Jutustused ja novellid<\/strong>. Tartu: Noor-Eesti, 1929, 181 lk. [Sisu: \u2018Isamaa \u00f5ilmed\u2019, \u2018S\u00fcgise\u00f6\u00f6 pimeduses\u2019, \u2018P\u00fchade r\u00f5\u00f5m\u2019, \u2018Poeg\u2019, \u2018Maajagamine\u2019, \u2018Kive kaalumas\u2019, \u2018P\u00fchade l\u00f5pp\u2019, \u2018Laenamas\u2019, \u2018Kosilane linnast\u2019, \u2018\u00d5petaja-h\u00e4rra unen\u00e4gu\u2019, \u2018P\u00e4ikese kiir\u2019, \u2018Kunstnik\u2019.]<br><strong>Elu murrab sisse: novellid<\/strong>. Tartu: Eesti Kirjanikkude Liit, 1931, 191 lk. [Sisu: \u2018Elu murrab sisse\u2019, \u2018Geeniuse surm ehk asi iseeneses\u2019, \u2018Tasumata v\u00f5lg\u2019, \u2018Kindral Gregovius\u2019, \u2018Maailma veeres\u2019.]<br><strong>Taniel heitleb: jutustis<\/strong>. Tartu: Noor-Eesti, 1932, 196 lk.<br><strong>Maine ike: jutud<\/strong>. Tartu: Eesti Kirjanikkude Liit, 1933, 159 lk. [\u2018Maine ike\u2019; \u2018Reservkapten ja saatus\u2019, \u2018\u00dche suvise seikluse l\u00f5pp\u2019, \u2018Andres\u2019, \u2018Kingsepp Siimeon \u00e4rkab\u2019, \u2018Vabadusep\u00fcha \u00f5htul\u2019.]<br><strong>M\u00e4ndide all: jutustus<\/strong>. Tartu: Noor-Eesti, 1933, 223 lk.<br><strong>Kreeps<\/strong>. Koostanud Maire Liivamets. Tallinn: Eesti Raamat, 2005, 316 lk. [Sari \u2018Eesti novellivara\u2019. Sisu: \u2018Laenamas\u2019, \u2018Mistarvis?\u2019, \u2018Kive kaalumas\u2019, \u2018Toho-oja Anton\u2019, \u2018Kindral Gregovius\u2019, \u2018Epp\u2019, \u2018Viimne p\u00e4ev\u2019, \u2018S\u00fcgis\u00f6\u00f6 pimeduses\u2019, \u2018Ajakirjaniku suurp\u00e4ev\u2019, \u2018Kreeps\u2019, \u2018Vabadusep\u00fcha \u00f5htul\u2019, \u2018P\u00fchade r\u00f5\u00f5m\u2019, \u2018Kunstnik\u2019, \u2018\u00d5petaja-h\u00e4rra unen\u00e4gu\u2019, \u2018P\u00fchade l\u00f5pp\u2019, \u2018Kalmud metsas\u2019, \u2018Dora Praats\u2019.]<\/span><\/span>\n<\/p>\n<p>\n\t<span style=\"font-size: small\"><span style=\"font-family: verdana, geneva\"><strong><em>Plays<\/em><\/strong><br><strong>Uues korteris: n\u00e4item\u00e4ng \u00fches waatuses<\/strong>. Tallinn: Teadus, 1908, 30 lk.<br><strong>Vagade elu: n\u00e4idend 3 vaatuses<\/strong>. Tartu: Noor-Eesti, 1923, 83, lk.<br><strong>Kindrali poeg: draama seitsmes pildis epiloogiga<\/strong>. Tartu: Noor-Eesti, 1925, 109 lk.<br><strong>Talupoja poeg: n\u00e4idend kolmes vaatuses<\/strong>. Tartu: Noor-Eesti, 1929, 103 lk.<br><strong>M\u00e4ssuwaim, ehk, Agulirahwas l\u00e4heb ajalukku: m\u00e4ng kolmes waatuses<\/strong>. Tallinn: T. Mutsu Teaterkirjastus, 1931, 101 lk.<br><strong>Haljal oksal: n\u00e4idend 4 waatuses<\/strong>. Tallinn: T. Mutsu, 1932, 111 lk.<br><strong>Heinasao \u00e4\u00e4res: m\u00e4ng \u00fches vaatuses<\/strong>. Tallinn: Eesti Haridusliit, 1934, 26 lk.<br><strong>C. R. Jakobson: dramaatiline kroonika 5 vaatuses epiloogiga<\/strong>. Tartu: Eesti Kirjastuse Kooperatiiv, 1935, 170 lk.<br><strong>Maret elukoolis: kom\u00f6\u00f6dia kolmes vaatuses<\/strong>. Tallinn: Autorikaitse \u00dching, 1938, 153 lk.<\/span><\/span>\n<\/p>\n<p>\n\t<span style=\"font-size: small\"><span style=\"font-family: verdana, geneva\"><strong><em>Memoirs<\/em><\/strong><br><strong>Tee algul: m\u00e4lestused. 1<\/strong>. Tallinn: Ilukirjandus ja Kunst, 1946, 246 lk.<br><strong>M\u00e4lestused. Tee algul; Koolipoisist kirjanikuks<\/strong>. Koostanud Kadi P\u00f5dersalu; eess\u00f5na: Hando Runnel. Tartu: Ilmamaa, 2005, 567 lk.<\/span><\/span><\/p>\n<p><strong><em>Collected and selected works<\/em><\/strong><br><strong>Kogutud teosed. 1. k\u00f6ide. Jutustused ja novellid<\/strong>. Tartu: Noor-Eesti, 1929, 181 lk. [Sisu: \u2018Isamaa \u00f5ilmed\u2019, \u2018S\u00fcgise\u00f6\u00f6 pimeduses\u2019, \u2018P\u00fchade r\u00f5\u00f5m\u2019, \u2018Poeg\u2019, \u2018Maajagamine\u2019, \u2018Kive kaalumas\u2019, \u2018P\u00fchade l\u00f5pp\u2019, \u2018Laenamas\u2019, \u2018Kosilane linnast\u2019, \u2018\u00d5petaja-h\u00e4rra unen\u00e4gu\u2019, \u2018P\u00e4ikese kiir\u2019, \u2018Kunstnik\u2019.]<br><strong>Kogutud teosed. 5. k\u00f6ide. Enn\u00e4e inimest!<\/strong>. Tartu: Noor-Eesti, 1929, 332 lk.<br><strong>Kogutud teosed. 7. k\u00f6ide. Valge pilv<\/strong>. Tartu: Noor-Eesti, 1930, 287 lk.<br><strong>Valitud teosed. 1. k\u00f6ide. Romaanid I<\/strong>. Tallinn: Eesti Riiklik Kirjastus, 1957, 563 lk. [Sisu: \u2018Vahesaare Villem\u2019, \u2018Taavet Soovere elu ja surm\u2019, \u2018Enn\u00e4e inimest!\u2019.]<br><strong>Valitud teosed. 2. k\u00f6ide. Romaanid II<\/strong>. Tallinn: Eesti Riiklik Kirjastus, 1958, 644 lk. [Sisu: \u2018Valge pilv\u2019, \u2018Punane tuul\u2019.]<br><strong>Valitud teosed. 3. k\u00f6ide. Jutustused ja novellid. I<\/strong>. Tallinn: Eesti Riiklik Kirjastus, 1959, 473 lk. [Sisu: \u2018Isamaa \u00f5ilmed\u2019, \u2018Orjad\u2019, \u2018Toho-oja Anton\u2019, \u2018Epp\u2019, \u2018Jumalata\u2019, \u2018Taniel heitleb\u2019.]<br><strong>Valitud teosed. 4. k\u00f6ide. Romaanid III<\/strong>. J\u00e4rels\u00f5na: Aino P\u00e4rsim\u00e4gi. Tallinn: Eesti Raamat, 1969, 600 lk. [\u2018Soosaare\u2019, \u2018Kutsutud ja seatud\u2019.]<br><strong>Valitud teosed. 5. k\u00f6ide. Romaanid IV<\/strong>. J\u00e4rels\u00f5na: \u00dclo Tonts. Tallinn: Eesti Raamat, 1980, 648 lk. [Sisu: \u2018\u00dcmera j\u00f5el\u2019, \u2018Tuli tuha all\u2019.]\n<\/p>\n<p>\n\t<span style=\"font-size:13px\"><span style=\"font-family:Verdana,Geneva,sans-serif\"><strong><em>About Mait Metsanurk<\/em><\/strong><br>Friedebert Tuglas, <strong>Mait Metsanurk. Kriitiline essee<\/strong>. Tallinn: Siuru, 1919, 38 lk.<br>Hugo Raudsepp, <strong>Mait Metsanurk ja tema aeg<\/strong>. \u00dche vaimsuse kroonika kaasaegse sulest. Tartu: Noor-Eesti, 1929, 472 lk. [2. tr\u00fckk: 2013.]<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Novels Short stories Plays \u00a0 Mait Metsanurk (real name Eduard Hubel; 19.\/7. XI 1879 \u2013 21. VIII 1957) was a fiction writer, playwright and critic, who broadened the concept of social and historical novels in Estonia. He was born the &#8230;<\/p>\n","protected":false},"author":43,"featured_media":0,"parent":642,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-1111","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/users\/43"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/comments?post=1111"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1111\/revisions"}],"predecessor-version":[{"id":3962,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/1111\/revisions\/3962"}],"up":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/pages\/642"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/ewod\/wp-json\/wp\/v2\/media?parent=1111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}