{"id":52,"date":"2024-04-04T07:56:26","date_gmt":"2024-04-04T04:56:26","guid":{"rendered":"https:\/\/sisu.ut.ee\/etenduskunstid\/kirjandus-6\/"},"modified":"2024-04-04T08:00:33","modified_gmt":"2024-04-04T05:00:33","slug":"kirjandus-6","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/etenduskunstid\/kirjandus-6\/","title":{"rendered":"Kirjandus"},"content":{"rendered":"<h3>\n\tSoovitatav kirjandus<br>\n<\/h3>\n<ul>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Case, Sue-Ellen 2001. Feminism and Performance: A Post-Disciplinary Couple. \u2013 <i>Theatre Research International<\/i>, Vol. 26, Issue 2, lk 145\u2013152.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Kirss, Tiina 2011. Sugu. \u2013 <i>Humanitaarteaduste metodoloogia. Uusi v\u00e4ljavaateid.<\/i> Tallinn: Tallinna \u00dclikooli Kirjastus, lk 263\u2013279. <\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Moi, Toril 2000. Feministlik, naissoost ja naiselik. \u2013 <i>Ariadne L\u00f5ng<\/i>, nr 1\/2, lk 28\u201340.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">P\u00f5ldsaar, Raili, Katrin Kivimaa 2009. Feministlik teooria. \u2013 <i>20. sajandi m\u00f5ttevoolud.<\/i> Tallinn, Tartu: Tartu \u00dclikooli Kirjastus, lk 799\u2013806.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<\/ul>\n<h3>\n\tViidatud kirjandus<br>\n<\/h3>\n<ul>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Barish, Jonas A. 1981. <i>The Antitheatrical prejudice. <\/i>Berkely, Los Angeles, London: University of California Press.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Bennet, Susan 2010. The Making of Theatre History. \u2013 <i>Representing the Past: Essays in performance history<\/i>. Iowa City: University of Iowa Press, lk 63\u201383.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Butler, Judith 1990. <i>Gender Trouble<\/i>. New York, London: Routledge.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Case, Sue-Ellen 1985. Classic Drag: The Greek Creation of Female Parts. \u2013 <i>Theatre Journal<\/i>, Vol. 37 (3), lk 317\u2013327.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Case, Sue-Ellen 2001. Feminism and Performance: A Post-Disciplinary Couple. \u2013 <i>Theatre Research International<\/i>, Vol. 26 (2), lk 145\u2013152.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Davies, Tracy C. 1989. Questions for a Feminist Methodology in Theatre History. \u2013 <i>Interpreting the Theatrical Past<\/i>. Iowa: Iowa University Press, lk 59\u201381.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Dolan, Jill 2012 [1988]. <i>The Feminist Spectator as Critic.<\/i> Ann Arbor: University of Michigan Press.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Einasto, Heili 2001. Naisekeha professionaalsel tantsulaval. \u2013 <i>Ariadne L\u00f5ng<\/i>, nr 1\/2, lk 93\u201398.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Einasto, Heili 2002. Tantsitud sugu: soolisus 1990. aastate moderntantsus. \u2013 <i>Ariadne L\u00f5ng<\/i>, nr 1\/2, lk 34\u201349.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Hall, Donald E. 2015. Soo- ja <i>queer<\/i>-teooria. \u2013\u00a0<i>Kriitilise teooria k\u00e4siraamat<\/i>. Tallinn: Tallinna \u00dclikooli Kirjastus, lk 165\u2013184. <\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Hekman, Susan 2015. Feminism. \u2013 <i>Kriitilise teooria k\u00e4siraamat.<\/i> Tallinn: Tallinna \u00dclikooli Kirjastus, lk 149\u2013164.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Johnson, Patrick E. 2008. Queer Theory. \u2013 <i>The Cambridge Companion to Performance Studies<\/i>. Cambridge: Cambridge University Press, lk 166\u2013150.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Kirss, Tiina 2011b. Sugu. \u2013 <i>Humanitaarteaduste metodoloogia. Uusi v\u00e4ljavaateid.<\/i> Tallinn: Tallinna \u00dclikooli Kirjastus, lk 263\u2013279. <\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Lill, Anne 2001. Naised kreeka trag\u00f6\u00f6dia meestemaailmas. \u2013 <i>Ariadne L\u00f5ng<\/i>, nr 1\/2, lk 6\u201317.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Marling, Raili 2011. Sissejuhatus. \u2013 <i>Sissejuhatus soouuringutesse.<\/i> Tartu: Tartu \u00dclikooli Kirjastus, lk 7\u201317. <\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Moi, Toril 2000. Feministlik, naissoost ja naiselik. \u2013 <i>Ariadne L\u00f5ng<\/i>, nr 1\/2, lk 28\u201340.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Mulvey, Laura 2003. Visuaalne nauding ja narratiivne kino. \u2013 <i>Ariadne L\u00f5ng<\/i>, nr 1\/2, lk 192\u2013200.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Sibrits-Bondarenko, Heili 2016. <i>Eesti repertuaariteatrite koosseisulised n\u00e4itlejad 2014. aasta kevadel<\/i>. Bakalaureuset\u00f6\u00f6. Tartu: Tartu \u00dclikool. http:\/\/dspace.ut.ee\/handle\/10062\/52319 (05.04.2021)<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Viik, Kadi 2015a. S\u00f5nastik: intersektsionaalsus. <i>Feministeerium<\/i>, 26.05. <\/span><\/span><\/span><span><span style=\"line-height:150%\"><span style=\",serif\">https:\/\/feministeerium.ee\/nadala-sona-intersektsionaalsus\/ (16.06.2020).<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Viik, Kadi 2015b. S\u00f5nastik: sugu. <i>Feministeerium,<\/i> 14.04. <\/span><\/span><\/span><span><span style=\"line-height:150%\"><span style=\",serif\">https:\/\/feministeerium.ee\/nadala-sona-sugu\/ (16.06.2020)<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Viik, Kadi 2015c. S\u00f5nastik: <i>queer<\/i>. <i>Feministeerium<\/i>, 10.03. https:\/\/feministeerium.ee\/nadala-sona-queer\/ (16.06.2020)<\/span><\/span><\/span><\/span>\n\t<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Soovitatav kirjandus Case, Sue-Ellen 2001. Feminism and Performance: A Post-Disciplinary Couple. \u2013 Theatre Research International, Vol. 26, Issue 2, lk 145\u2013152. Kirss, Tiina 2011. Sugu. \u2013 Humanitaarteaduste metodoloogia. Uusi v\u00e4ljavaateid. Tallinn: Tallinna \u00dclikooli Kirjastus, lk 263\u2013279. Moi, Toril 2000. Feministlik, &#8230;<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-52","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages\/52","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/comments?post=52"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages\/52\/revisions"}],"predecessor-version":[{"id":447,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages\/52\/revisions\/447"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/media?parent=52"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}