{"id":50,"date":"2024-04-04T07:56:25","date_gmt":"2024-04-04T04:56:25","guid":{"rendered":"https:\/\/sisu.ut.ee\/etenduskunstid\/kirjandus-4\/"},"modified":"2024-04-04T08:00:33","modified_gmt":"2024-04-04T05:00:33","slug":"kirjandus-4","status":"publish","type":"page","link":"https:\/\/sisu.ut.ee\/etenduskunstid\/kirjandus-4\/","title":{"rendered":"Kirjandus"},"content":{"rendered":"<h3>\n\tSoovitatav kirjandus<br>\n<\/h3>\n<ul>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Bennett, Susan 1990. <i>Theatre Audiences. A Theory of Production and Reception<\/i>. London, New York: Routledge.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Iser, Wolfgang 1990. Lugemine: Fenomenoloogiline l\u00e4henemisviis. \u2013 <i>Akadeemia<\/i>, nr 10, lk 2090\u20132117.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li class=\"MsoPlainText\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Lillepuu, Ivi 1997. Teatripublikust. Anno Domini 1996. \u2013 <i>Teater. Muusika. Kino<\/i>, nr 6, lk 12\u201318.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li class=\"MsoPlainText\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Saro, Anneli 2001. <i>Miks inimesed \u00fcldse v\u00f5i ikka veel teatris k\u00e4ivad?<\/i> \u2013 Teatrielu 2000. Tallinn: Eesti Teatriliit, lk 140\u2013156.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<\/ul>\n<h3>\n\tViidatud kirjandus<br>\n<\/h3>\n<ul>\n<li class=\"MsoPlainText\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Barthes, Roland 2007. <i>Tekstim\u00f5nu<\/i>. Tallinn: Varrak.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Bennett, Susan 1990. <i>Theatre Audiences. A Theory of Production and Reception<\/i>. London, New York: Routledge.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li class=\"MsoPlainText\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Bordewijk, Cobi 1988. The Common Spectators and Readers. Responses to Characters in Harold Pinter\u2019s The Homecoming. \u2013 <i>New Directions in Audience Research. Advances in Reception and Audience Reseach<\/i> 2. Utrecht: Institute voor Theaterwetenschap, lk 65\u201385.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li class=\"MsoPlainText\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Bordewijk-Knotter, Jacoba Maria 1988. <i>Pinter Appeal. A Comparative Study of Responses to \u201eThe Homecoming\u201c<\/i>. Doktorit\u00f6\u00f6. Amsterdam.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li class=\"MsoPlainText\" style=\"margin-right: -9.95pt\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Gadamer, Hans-Georg 1997. M\u00f5istmise ringist. \u2013 <i>Filosoofilise hermeneutika klassikat<\/i>. Tartu: Ilmamaa, lk 183\u2013194.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Iser, Wolfgang 1990. Lugemine: Fenomenoloogiline l\u00e4henemisviis. \u2013 <i>Akadeemia<\/i>, nr 10, lk 2090\u20132117.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span lang=\"FI\"><span style=\"line-height:150%\"><span style=\",serif\">Jansen, Taavet, Maria Heinsar, Aleksander V\u00e4ljam\u00e4e 2019. Teadvustamata kanal iseendasse: sensortehnoloogiad teatris. \u2013 <i>Teater. <\/i><\/span><\/span><\/span><i><span><span style=\"line-height:150%\"><span style=\",serif\">Muusika. Kino<\/span><\/span><\/span><\/i><span><span style=\"line-height:150%\"><span style=\",serif\">, september, lk 27\u201332.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Jauss, Hans Robert 1970. Literaturgeschichte als Provokation der Literaturwissenschaft. \u2013 <i>Literaturgeschichte als Provokation<\/i>. <\/span><\/span><\/span><span lang=\"FI\"><span style=\"line-height:150%\"><span style=\",serif\">Frankfurt am Main: Suhrkamp Verlag, lk 144\u2013207.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span lang=\"FI\"><span style=\"line-height:150%\"><span style=\",serif\">Niemi, Irmeli 1983. <i>P\u00e4\u00e4osassa katsoja. Teatteriesityksen vastaanotosta<\/i>. Helsinki: Tammi.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li class=\"MsoPlainText\" style=\"margin-right: -9.95pt\">\n\t\t<span style=\"line-height:150%\"><span lang=\"FI\"><span style=\"line-height:150%\"><span style=\",serif\">Saro, Anneli 2004. <\/span><\/span><\/span><span lang=\"EN-GB\"><span style=\"line-height:150%\"><span style=\",serif\"><em>Madis K\u00f5ivu n\u00e4idendite teatriretseptsioon. Dissertationes litterarum et contemplations comparativae Universitatis Tartuensis 2<\/em>. Tartu: Tartu \u00dclikooli Kirjastus.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Sauter, Willmar 1986. Theatre Talks: Or How to Find Out What the Spectator Thinks. \u2013 <i>Nordic Theatre Studies. Advances in Reception and Audience Research<\/i>, Vol. 5, lk. 136\u2013145.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Sauter, Willmar 2006. <i>eventness. A Concept of the Theatrical Event<\/i>. Stockholm: STUTS.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li class=\"MsoPlainText\" style=\"margin-right: -9.95pt\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Schoenmakers, Henri 1988. To Be, Wanting to Be, Forced to Be. Identification Process in Theatrical Situations. \u2013 <i>New Directions in Audience Research. Advances in Reception and Audience Reseach<\/i> 2. Utrecht: Institute voor Theaterwetenschap, lk 138\u2013163.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<li style=\"margin-bottom: 0cm\">\n\t\t<span style=\"line-height:150%\"><span><span style=\"line-height:150%\"><span style=\",serif\">Schoenmakers, Henri 1992. Aesthetic Emotions and Aestheticised Emotions in Theatrical Situations. \u2013 <i>Performance Theory, Reception and Audience Research. Advances in Reception and Audience Reseach<\/i> 3. Amsterdam: Tijdschrift voor Theaterwetenschap\/ICRAR, lk 39\u201358.<\/span><\/span><\/span><\/span>\n\t<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Soovitatav kirjandus Bennett, Susan 1990. Theatre Audiences. A Theory of Production and Reception. London, New York: Routledge. Iser, Wolfgang 1990. Lugemine: Fenomenoloogiline l\u00e4henemisviis. \u2013 Akadeemia, nr 10, lk 2090\u20132117. Lillepuu, Ivi 1997. Teatripublikust. Anno Domini 1996. \u2013 Teater. Muusika. Kino, &#8230;<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-50","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":1,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages\/50\/revisions"}],"predecessor-version":[{"id":449,"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/pages\/50\/revisions\/449"}],"wp:attachment":[{"href":"https:\/\/sisu.ut.ee\/etenduskunstid\/wp-json\/wp\/v2\/media?parent=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}